Bibliography

We aim to keep an up-to-date selective bibliography, with links to online resources and in the SSSMG Repository. SSSMG members can submit entries as well as 'claim' anything they have authored themselves by completing this form.

You can filter using the 'search' field (separate your terms with spaces) and sort by any column by clicking it. (For instance, for all entries published in 2011 with the keyword "dynamic", try searching "2011 dynamic".) We are using the RILM classification system for document types (Media).

Surname	Forename	Additional Authors	Unit Title	Source	Year	Media	External Link	Keywords
Aav	Sebastian		Adaptive Music System for DirectSound	University of Linköping Campus Norrköping	2005	DM (M)	https://www.diva-portal.org/smash/get/diva2:21635/FULLTEXT01.pdf	dynamic music; DirectMusic; tools; middleware
Abraham	Ben		Halo and Music	In Ben Cuddy (ed.) Halo and Philosophy: Intellect Evolved (Chicago: Open Court); 61-70	2011	AC		Halo; Martin O'Donnell; FPS; interactivity; soundscape; sound effects
Ahlers	Michael		Musik in Videospielen: Zwischen 8-Bit-Ästhetik und adaptivem Klanggeschehen	Musikforum; Heft 2/2009; 41-44	2009	AP		history; adaptive music; 8-bit; technology
Aljanaki	Anja	Frans Wiering; Remko C. Veltkamp	Studying Emotion Induced by Music through a Crowdsourcing Game	Information Processing & Management 52/1; pp. 115-28	2016	AP	http://www.sciencedirect.com/science/article/pii/S0306457315000424	emotion; crowdsourcing; serious games; music information retrieval; Music Emotion Recognition; Geneva Emotional Music Scale
Allouche	Khalid	Homam Albeiriss; Redouane Zarghoune; Juha Arrasvuori; Antti Eronen; Jukka Holm	Implementation and Evaluation of a Background Music Reactive Game	IE '07 Proceedings of the 4th Australasian conference on Interactive entertainment. RMIT University	2007	AS		technology; experimental; empirical; Briquolo; reactive games; game design
Alves	Valter	Licínio Roque	Guidelines for Sound Design in Computer Games	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 362-383	2011	AC		Sound design; enrichment; experience; intentional sound design; multi-disciplinary; emotion; context; acoustic ecology; soundscape; resonance; entrainment; sound layers
Andersson	Anders-Petter	Birgitta Cappelen	Musical Interaction for Health Improvement	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		health; sound design; interaction design; tangible interaction; musicking; co-creation; disability; empowerment; music therapy
Andrew	Lydia		The Collaborative Art of Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); xxxiii-xxxv	2021	AC		Assassin's Creed; audio director; Syndicate; Odyssey; Greece; Greek; The Flight; Aulos; Tripod; Austin Wintory
Arditi	David		Virtual Jam: A Critical Analysis of Virtual Music Game Environments	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		political economy; cultural studies; popular music; internet; DAW; Pro Tools
Aristopoulos	Marios		Review of The Game Audio Strategy Guide: A Practical Course by Gina Zdanowicz and Spencer Bambrick	Journal of Sound and Music in Games 2/1; 65-69	2021	AP	https://doi.org/10.1525/jsmg.2021.2.1.65	Implementation; composition; dynamic music; careers; sound design; business
Armstrong	Stephen		Sounding the Grind: Musicospatial Stasis in JRPG Battle Themes	Journal of Sound and Music in Games 2/2	2021	AP		battle music; immersion; grinding; space; role-playing games
Arnold	Matthew		Inside the Loop: The Audio Functionality of Inside	The Computer Games Journal (Online First)	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0071-x	spectromorphology; immersion; sound design; musical suture
Arrasvuori	Juha		Playing and Making Music: Exploring the Similarities between Video Games and Music-Making Software	University of Tampere	2006	DD		music games; music-making software; ludus; paidia; Magix Music Maker; MTV Music Generator 2; eJay Clubworld; Beatmania; Amplitude; Gitaroo Man; Fluid; SingStar; Get on da Mic; 100% Star
Arsenault	Dominic		Guitar Hero: "Not like playing guitar at all"?	Loading... 2/2	2008	AP		Guitar Hero; music games; interfaces;
Arsenault	Dominic		Paysages 8-bit. Musicalité et spatialité dans le jeu vidéo des années 1985-1990	Inter 98; 9-12	2008	AP	https://www.erudit.org/fr/revues/inter/2008-n98-inter1112108/45610ac.pdf	8-bit; NES; spatiality; Mega Man 2; Castlevania III
Aska	Alyssa		Introduction to the Study of Video Game Music	Self-Published	2017	BM		game studies; introduction; sound music; gamification
Aslinger	Ben		Genre in Genre: The Role of Music in Music Games	DiGRA '09 - Proceedings of the 2009 DiGRA International Conference: Breaking New Ground: Innovation in Games; Play; Practice and Theory	2009	AS		rhythm games; Rock Band; Flow! Urban Dance Uprising; Dance Dance Revolution; Guitar Hero; genre; rock; hip-hop
Aspromallis	Christodoulos	Nicolas E. Gold	Form-Aware; Real-Time Adaptive Music Generation for Interactive Experiences	Proceedings of the Sound and Music Computing Conference 2016; SMC 2016. Sound and Music Computing: Hamburg; Germany.	2016	AS	https://discovery.ucl.ac.uk/id/eprint/1505747/1/Aspromallis_Gold_CR_.pdf	generative music; variation; dynamic; algorithmic music; interactivity; variation
Aspromallis	Christodoulos	Nicolas E. Gold	Form-Aware; Real-Time Adaptive Music Generation for Interactive Experiences	Proceedings of the Sound and Music Computing Conference 2016; SMC 2016. Sound and Music Computing: Hamburg; Germany	2016	AS	https://discovery.ucl.ac.uk/id/eprint/1505747/ https://discovery.ucl.ac.uk/id/eprint/1503636/	Form; adaptive music; dynamic music; structure
Atkinson	Sean		Soaring Through the Sky: Topics and Tropes in Video Game Music	Music Theory Online 25/2	2019	AP	https://mtosmt.org/issues/mto.19.25.2/mto.19.25.2.atkinson.html	topics; tropes; video games; Final Fantasy; Legend of Zelda; film music
Audio Mostly			Proceedings of the Audio Mostly Conference	Proceedings of the Audio Mostly Conference	2006 to 2010	BS		Consult individual papers
Auerbach	Brent		Pedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction	Music Theory Online 16/1	2010	AP	http://www.mtosmt.org/issues/mto.10.16.1/mto.10.16.1.auerbach.html	aural skills; music theory pedagogy; rhythm; sight-reading; CAI; popular music; Dance Dance Revolution
Austin	Michael		Sample; Cycle; Sync: The Music Sequencer and Its Influence on Music Video Games	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AP		Chiptune Runner; My Singing Monsters; sequences; interface; affordance; organology; instrument; MDA
Austin	Michael		From mixtapes to multiplayers: Sharing musical taste through video games	The Soundtrack 8/1-2	2015	AP		music games; remediation; participatory culture
Austin	Michael		’Playas’ and Players: Racial and Spatial Trespassing in Hip Hop Culture Through Video Games	In Justin D. Burton and Jason Lee Oakes (eds.); Oxford Handbook of Hip Hop Music Studies. New York: Oxford University Press	2018	AC	http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/978019%20%20%200281090.001.0001/oxfordhb-9780190281090-e-55	hip hop; race; digital minstrelsy; Grand Theft Auto; space; place; identity
Austin	Michael		Orchestrating Difference: Representing Gender in Video Game Music	In Nicholas Taylor and Gerald Voorhees (eds.); Masculinity at Play; London: Palgrave-Macmillan; 165-183	2018	AC	http://link-springer-com-443.webvpn.jxutcm.edu.cn/chapter/10.1007/978-3-319-90581-5_10	gender; masculinity; orchestration; instrumentation; gender bias; fantasy games; representation
Austin	Michael		Music Games	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 140-158	2021	AC		genre; peripherals; rhythm games; dance games; dancing games; karaoke; edutainment; controllers; Def Jam; Rock Band; Guitar Hero; hip-hop; Rocksmith
Babbitt	Ben		Composing for Independent Games: The Music of Kentucky Route Zero	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 120-130	2021	AC		screen music; synchronization; indie; budget; collaboration; Appalachian music; folk music; development; Bill Monroe; identity
Baccigalupo	Claudio		Design and Production of Audio Technologies for Video Games Development	Università degli Studi di Milano	2003	DM (M)	http://www2.iiia.csic.es/~claudio/papers/Baccigalupo-2003-MasterThesis-Section1.pdf	game design; history; technology; audio design
Baker	Nathan		The Music of Mario; Link; and Samus: Harmony; Form; and Meaning In Early Compositions by Koji Kondo and Hirokazu Tanaka	Analyzing the Music of Living Composers (And Others); ed. Jack Boss; Brad Osborn; Tim S. Pack; and Stephen Rodgers. Newcastle upon Tyne: Cambridge Scholars Publishing; 192-217.	2013	AC		music analysis; Super Mario Bros.; Metroid
Barbossa	Matthieu		La musique dans les jeux vidéo	Université Paris 8 Saint-Denis	2009	DM (M)		videogame music
Baxa	John		Effects of Contingent and Non-Contingent Audio on Performance and Quality of Experience in a Role-Playing Video Game	Kalamazoo College	2008	DM (U)	https://cache.kzoo.edu/bitstream/handle/10920/8995/JohnBaxaSIP.pdf?..	empirical; experimental; immersion; dynamic music
Baysted	Stephen		Palimpsest; Pragmatism and the Aesthetics of Genre Transformation: Composing the Hybrid Score to Electronic Arts' Need for Speed Shift 2: Unleashed	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		dynamic music; composition; Need for Speed Shift 2: Unleashed; popular music
Baysted	Stephen		Simulation; Squaring the Immersion; Realism; and Gameplay Circle	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 328-337	2017	AC		racing; cars; immersion; realism; Need for Speed; binaural recording; headphones; sound; Project Cars
Baysted	Stephen		Compositional Approaches to Film; TV and Video Games	In Nicholas Cook; Monique M. Ingalls and David Trippett (eds) The Cambridge Companion to Music in Digital Culture	2019	AC		composing; construction; implementation
Baysted	Stephen	Tim Summers	The Creative Process of Composing for Video Games : From Pitching to Gold Master and Beyond	Oxford Handbook of the Creative Process in Music . ed. / Nicolas Donin	2020	AC	https://doi.org/10.1093/oxfordhb/9780190636197.013.29	racing games; dynamic music; interactive music; adaptive music; loops; layers; recording; scoring; development
Belinkie	Matthew		Video Game Music: Not Just Kid Stuff	VGMusic.com	1999	EA	http://www.vgmusic.com/information/vgpaper.html	history; composer interviews; game design; technology;
Benveniste	Samuel	Pierre Jouvelot; Renaud Michel; Edith Lecourt	La Wiimprovisation en musicothérapie analytique de groupe: designe participatif avec des enfants atteints de troubles du comportement	Revue française de musicothérapie 29/3; 17-33	2009	AP	https://hal.archives-ouvertes.fr/hal-00829753	serious games; games for health; Wii; music therapy
Berndt	Axel	Knut Hartmann	Strategies for Narrative and Adaptive Game Scoring	Audio Mostly - 2nd Conf. on Interaction with Sound; Fraunhofer IDMT; Ilmenau; Germany; September 2007; pp. 141-147	2007	AS		dynamic music; composition; narrative; generated music
Berndt	Axel		Musical Nonlinearity in Interactive Narrative Environments	In G. Scavone; V. Verfaille; and A. da Silva (eds.) The International Computer Music Conference (ICMC) 2009; McGill University; Montreal; Canada; August 2009; pp. 355-358	2009	AS		dynamic music; composition; narrative; generated music; transitions;
Berndt	Axel		Diegetic Music: New Interactive Experiences	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 60-76	2011	AC		diegetic; diegesis; functions; implementation; nonlinearlity; controllability
Berndt	Axel	Knut Hartmann; Niklas Röber; and Maic Masuch	Composition and Arrangement Techniques for Music in Interactive Immersive Environments	In: Audio Mostly - A Conf. on Sound in Games; Interactive Institute/Sonic Studio; PiteÃ:¥; Sweden; October 2006; pp. 53-59	2006	AS		dynamic music; composition; narrative; film music
Berndt	Axel	Knut Hartmann	The Functions of Music in Interactive Media	In: U. Spierling and N. Szilas (eds.) Interactive Digital Storytelling (ICIDS) 2008; Springer-Verlag Berlin Heidelberg; University of Applied Sciences Erfurt; Germany; November 2008; pp. 126-131.	2008	AS		dynamic music; perception; narrative; film music; functions
Berndt	Axel		Musik für interaktive Medien: Arrangement und Interpretationstechniken	Magdeburg University	2011	DD		dynamic music; composition; narrative;
Berndt	Axel		Adaptive Game Scoring with Ambient Music	In Monty Adkins and Simon Cummings (eds); Music Beyond Airports: Appraising Ambient Music (Huddersfield: University of Huddersfield Press); 197-226	2019	AC	https://unipress.hud.ac.uk/plugins/books/19/	Ambient music; Brian Eno; adaptive music; generative music; dynamic music
Bessell	David		What's That Funny Noise? An Examination of the Role of Music in Cool Boarders 2; Alien Trilogy and Medievil 2	In Geoff King and Tanya Krzywinska (eds) Screenplay: Cinema/Videogames/Interfaces (London and New York: Wallflower) 136-144.	2002	AC		film music; functions; dynamic music; Cool Boarders 2; Alien Trilogy; Medievil 2
Bessell	David		An Auto-Ethnographic Approach to Creating the Emotional Content of Horror Game Soundtracking	In Duncan Williams and Newton Lee (ed.); Emotion in Video Game Soundtracking (Cham: Springer) 39-50	2018	AC		horror; dramaturgy; non-linearity; mixing
Beverburg Reale	Steven		Transcribing Musical Worlds; or; Is L.A. Noire a Music Game?	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		music games; L.A. Noire; analysis; BIT.TRIP; levels
Blickhan	Samantha		"Listening" Through Digital Interaction in Björk's Biophilia	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		Biophilia; music games; apps; iPad
Böcker	Thomas		Producing Game Music Concerts	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 424-432	2021	AC		Symphonic Game Music; Orchestra; Leipzig; Final Fantasy; Symphony; Concerto; Adaptation; Arrangement; Live; Repertoire; Chris Hülsbeck; Nobuo Uematsu
Boer	James		Game Audio Programming	Hingham; Massachusetts: Charles River Media	2003	BM		game design; technology; programming
Bogost	Ian		Chapter 5: Music	How to do Things with Videogames (Minneapolis: University Of Minnesota Press)	2011	BM	DOI:10.5749/minnesota/9780816676460.003.0005	music; videogames; music performance games; melody; rhythm
Borchers	Jan	Max Mühlhäuser	Design Patterns for Interactive Musical Systems	IEEE Multimedia 5/3	1998	AP		middleware; technology; programming; WorldBeat
Borecky	Andrew		Dungeons; Dragons; and Music: The Immersive Qualities of Sound in Dungeons & Dragons	Journal of Sound and Music in Games 2/1; 46-64	2021	AP	https://doi.org/10.1525/jsmg.2021.2.1.46	Dungeons & Dragons; video game; soundtrack; fantasy; performance; participatory; Critical Role
Bötsch	Isabell	Richard von Georgi; Claudia Bullerjahn	The influence of music and video game preferences on the perceived effects of music while gaming	Musikpsychologie 25; 72-91	2015	AP		psychology; concentrations; musical preference; dynamic music
Böttcher	Niels	Stefania Serafin	A Review of Interactive Sound in Computer Games: Can Sound Affect the Motoric Behavior of a Player?	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		procedural audio; motoric behavior; self-produced sound; motion controllers; Max/MSP; granular synthesis; realism
Bouquet	Eric		Musique et son: leurs rôles dans l'immersion du joueur de jeux vidéo : de la culture musicale vidéoludique	Université de Bourgogne (Dijon)	2010	DM (M)	http://www.sudoc.fr/176469907	videogame music culture; history of music; reception
Bowden	Sara		Not suitable for the easily disturbed: Sonic nonlinearity and disruptive horror in Doki Doki Literature Club!	The Soundtrack 11/1-2; 7-22	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	Doki Doki Literature Club; horror; nonlinearity; indie games; metafiction
Boyd	Andrew		When Worlds Collide: Sound and Music in Film and Computer Games	Gamasutra: Jan 17; 2003	2003	EA	http://www.gamasutra.com/view/feature/131310/when_worlds_collide_sound_and_.php	game design; film music; audio design;
Bradford	Wesley J.		Exploring the Narrative Implications of Emerging Topics in The Legend of Zelda: Breath of the Wild	Journal of Sound and Music in Games 1/4; 1-21	2020	AP	https://doi.org/10.1525/jsmg.2020.1.4.1	narrative; topic theory; technology; nature; myth; Legend of Zelda
Braguinski	Nikita		Ästhetisches Rauschen. Die Werteökonomie der Computerklänge	In Shift-Restore-Escape. Retrocomputing und Computerarchäologie. Stefan Höltgen (ed.). CSW; 2014.	2014	AC		noise; aesthetics; value; perception; retro; 8-bit
Braguinski	Nikita		RANDOM. Die Archäologie der elektronischen Spielzeugklänge	Bochum: Projekt Verlag	2018	BM		unpredictability; iMuse; Ballblazer; Atari; Speak and Spell
Brame	Jason		Thematic Unity Across a Video Game Series	ACT 2	2011	AP	http://www.act.uni-bayreuth.de/de/archiv/2011-02/03_Brame_Thematic_Unity/index.html	music theory; Schenkerian analysis; Super Mario Bros.; Legend of Zelda; semiotics; composition;
Brandon	Alexander		Audio for Games: Planning; Process; and Production	Berkeley; CA: New Riders Games	2005	BM		audio design; technology
Bredin	Nicolas		Le son et la musique dans les jeux vidéo	Université Paris 8 Saint-Denis	2004	DM (M)		sound; videogame music
Bredin	Nicolas		L'expérience du joueur à travers l'histoire et sa représentation par le son et la musique	Université Paris 8 Saint-Denis	2005	DM (M)		story; musical representation
Brent	Auerbach		Pedagogical Applications of the Video Game Dance Dance Revolution to Aural Skills Instruction	Music Theory Online 16/1	2010	AP	http://www.mtosmt.org/issues/mto.10.16.1/mto.10.16.1.auerbach.pdf	aural skills; music theory pedagogy; rhythm; sight-reading; CAI; popular music
Bridgett	Rob		Contextualizing Game Audio Aesthetics	In John Richardson; Claudia Gorbman; Carol Vernallis (eds.); The Oxford Handbook of New Audiovisual Aesthetics (Oxford: Oxford University Press)	2013	AC		postproduction; Scarface; audio director; sound design
Bridgett	Rob		Dynamic range: subtlety and silence in video game sound	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 127-134	2008	AC		player control; dynamics; mixing; interactive; cultural artefact
Bridgett	Rob		From the shadows of film sound: cinematic production & creative process in video game audio: collected publications 2000-2010	Self Published	2010	BM		audio design; film music; composition; technology
Bridgett	Rob		“Less Music; Now!” – New Contextual Approaches to Video Game Soundtracks	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 110-119	2021	AC		Audio director; implementation; dynamic music; adaptive music; sound design; mixing; Limbo; Inside; The Last of Us; Battlefield
Brochard-Garnier	Thomas		L'appropriation de la musique occidentale dans le RPG japonais	Ecole des Hautes Etudes en Sciences Sociales	2015	DM (M)		Western music; J-RPG; appropriation
Bruno	Dan		Noteworthy: The Music That Influenced The Legend of Zelda: Ocarina of Time	Killscreen 1/5 (pp. 68-70)	2011	AP		Legend of Zelda
Bullerjahn	Claudia		Musik in Computerspielen. Vermarktungspotenzial; Nutzung und Wirkung	In Christofer Jost; Daniel Klug; Axel Schmidt and Klaus Neumann-Braun (eds.); Populäre Music; Mediale Musik? Transdisziplinäre Beiträge zu Medien der Populären Musik; Baden-Baden: Nomos; pp. 33-59	2011	AC	http://www.academia.edu/4818621/Music_in_computer_games._Potential_for_marketing_utilization_and_effect	marketing; psychology; review; pop music; dynamic music
Bullerjahn	Claudia	Florian Hantschel	Musik im audiovisuellen Kontext: Film, Fernsehen, Video(spiel)	In Andreas C. Lehmann and Reinhard Kopiez (Ed.): Handbuch Musikpsychologie. Bern: Hogrefe Verlag, p. 273–290	2018	AC		psychology; media
Burke	Kevin R.		Alien Waves: Sonic Reverberations of the RPG Interface in Lagrange Point	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 57-75	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	JRPG; FM synthesis; NES; Famicom; 8-bit; HCI; Human-computer interaction; Konami; VRC7; YM2413; Yume Penguin Monogatari; driver; chiptune; programming
Burrill	Derek A.	Melissa Blanco Borelli	Dancing with Myself: Dance Central; Choreography; and Embodiment	In Melissa Blanco Borelli (ed.); The Oxford Handbook of Dance and the Popular Screen (Oxford: Oxford University Press)	2014	AC		Dance Central; avatar bodies; choreography; Kinect; embodiment
Capacchione	Tristan		Musical Gamescapes: A Study of Unity in Arcanum: Of Steamworks and Magick Obscura	Self Published (?)	2007	EA	https://www.hitpages.com/doc/5071230289838080/1#pageTop	music theory; Arcanum; ludus; paidia; gamescape;
Carlsson	Anders		Chip music: low-tech data music sharing	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 153-162	2008	AC		chip music; demoscene; history; LP; EP; electronic music; music writing software; tracker; 8-bit
Cassidy	Gianna	Raymond MacDonald	The effects of music choice on task performance: A study of the impact of self-selected and experimenter-selected music on driving game performance and experience	Musicae Scientiae 13/2 357-386	2009	AP		psychology; arousal; preference; performance; driving games
Cassidy	Gianna	Raymond MacDonald	The Role of Music in Video Games: The The Effects of Self-Selected and Experimenter-Selected Music on Driving Game Performance and Experience	Proceedings of the 10th International Conference on Music Perception and Cognition; 2008; Sapporo. pp. 762–767.	2008	AS		immersion; experience; game design; empirical; psychology; cognition
Cerrati	Michael		Video Game Music: Where it Came From; How it is Being Used Today; and Where it is Heading Tomorrow	Vanderbilt journal of entertainment and technology law; 8/2; 293-334.	2006	AP		history; financial statistics; licensing; legal; marketing;
Chan	Norman		A Critical Analysis of Modern Day Video Game Audio	University of Nottingham	2007	DM (U)		composer interviews; Civilization IV; Grand Theft Auto; Hitman: Blood Money; dynamic music; composition; music theory; diegetic music;
Cheng	William		Role-Playing toward a Virtual Musical Democracy in The Lord of the Rings Online	Ethnomusicology 56/1; 31-62	2012	AP		virtual ethnography; Lord of the Rings Online
Cheng	William		Monstrous Noise: Silent Hill and the Aesthetic Economies of Fear	In Carol Vernallis; Amy Herzog; John Richardson (ed.); The Oxford Handbook of Sound and Image in Digital Media (Oxford: Oxford University Press)	2013	AC		Silent Hill; horror; noise; industrial music
Cheng	William		Acoustemologies of the Closet	In Mark Grimshaw (ed.); The Oxford Handbook of Virtuality (Oxford; Oxford University Press); 337-48	2014	AC		virtual ethnography; online voice communication; gender; identity; sexual politics
Cheng	William		Afterword--Toadofsky's Music Lessons	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Super Mario RPG: Legend of the Seven Stars; musicality; music games; affordance
Cheng	William		Sound Play: Video Games and the Musical Imagination	Oxford; New York: Oxford University Press	2014	BM		aesthetics; virtual ethnography; Fallout 3; Final Fantasy VI; Silent Hill; Lord of the Rings Online; Team Fortress 2; concerts
Childs IV	G. W.		Creating Music and Sound for Games	Boston; MA: Thompson Course Technology	2007	BM		composition; sound design; design process; middleware; dynamic music;
Chung	Szu-Ming	Chun-Tsai Wu	Designing Music Games and Mobile Apps for Early Music Learning	In Serious Games and Edutainment Applications; Volume II. Minhua Ma; Andreas Oikonomou (eds.). Cham: Springer	2017	AC		rhythm games; early music learning; android; apps
Collins	Karen		From Pac-Man to Pop Music: Interactive Audio in Games and New Media	Aldershot; Hampshire and Burlington; VT: Ashgate	2008	BC		See individual entries
Collins	Karen		Game Sound: An Introduction to the History; Theory and Practice of Video Game Music and Sound Design	Cambridge; Mass. and London: MIT Press	2008	BM		history; technology; console hardware; aesthetics; dynamic music; composition;
Collins	Karen		An Introduction to Procedural Audio in Video Games	Contemporary Music Review: Special Issue on Generative Audio; 28/1; 5-15	2009	AP		technology; composition; procedural audio; dynamic music
Collins	Karen		From Bits to Hits: Video Games Music Changes its Tune	Film International; 12; 4-19	2005	AP		history; composition; dynamic music; music games; technology; console hardware
Collins	Karen		An Introduction to the Participatory and Non-Linear Aspects of Video Game Audio	In Hawkins; Stan and John Richardson (eds); Essays on Sound and Vision (Helsinki: Helsinki University Press); 263-298	2007	AC		dynamic music; diegesis; composition; transitions; functions; Legend of Zelda; Grim Fandango; immersion;
Collins	Karen		Implications of Interactivity: What Does it Mean for Sound to be “Interactive”?	In John Richardson; Claudia Gorbman; Carol Vernallis (eds.); The Oxford Handbook of New Audiovisual Aesthetics (Oxford: Oxford University Press)	2013	AC		interactivity; feedback; control mechanisms; sound production; digital aesthetics; new media
Collins	Karen		Introduction	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 1-10	2008	AC		history; game research;
Collins	Karen	Holly Tessler; Kevin Harrigan; Michael J. Dixon; Jonathan Fugelsang	Sound in Electronic Gambling Machines: A Review of the Literature and its Relevance to Game Sound	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 1-21	2011	AC		EGMs; electronic gambling machines; arcade; advertising; gambling; casino; environment; physiology; sound; film; television
Collins	Karen		Breaking the Fourth Wall? User-Generated Sonic Content in Virtual Worlds	In Mark Grimshaw (ed.); The Oxford Handbook of Virtuality (Oxford; Oxford University Press)	2014	AC		multi-player; fourth wall; user-generated content; immersion; participation; magic circle
Collins	Karen		A History of Handheld and Mobile Video Game Sound	In Sumanth Gopinath; Jason Stanyek (eds.) The Oxford Handbook of Mobile Music Studies; Vol. 2 (Oxford Oxford University Press)	2014	AC		handheld consoles; technological constraints; sound chips; mobile phones; media convergence
Collins	Karen		Grand Theft Audio?: Popular Music and Interactive Games	Music and the Moving Image 1/1	2008	AP		popular music; licensing; history;
Collins	Karen		Video Games Killed the Cinema Star	Music; Sound and the Moving Image; 1/1; 15-20	2007	AP		video game music studies; influence;
Collins	Karen		Flat Twos and the Musical Aesthetic of the Atari VCS	Popular Musicology Online; 1	2006	AP		technology; composition; Atari VCS; console hardware; aesthetics; chip music; 8-bit;
Collins	Karen	S. Ashby; T. Bush; J. Daoust; N. Duveau; J. Lewis; C. Robinson; T. White; G. Whitmore	Overcoming Roadblocks in the Quest for Interactive Audio	Project Bar-B-Q report 2007	2007	AS		technology; composition; dynamic music; audio design;
Collins	Karen		Loops and Bloops: Music on the Commodore 64	Soundscape: Journal of Media Culture; 8/1	2006	AP		technology; composition; Commodore 64; console hardware; aesthetics; dynamic music; 8-bit;
Collins	Karen		In the Loop: Confinements and Creativity in 8-bit Games	Twentieth-Century Music; 4/2; 209-227	2007	AP		technology; composition; history; console hardware; 8-bit;
Collins	Karen	Ruth Dockwray	Drive; Speed; and Narrative in the Soundscapes of Racing Games	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 400-411	2017	AC		cars; realism; authenticity; narration; aesthetics; Forza; Gran Turismo; Need for Speed; recording
Collins	Karen		Game Sound in the Mechanical Arcades: An Audio Archaeology	Game Studies 16/1	2016	AP		audio; mechanical; Victorian; archaeology; sound; history; recording
Collins	Karen		Desert Island Diskettes: A Journey through Video Game Sound History	Game: The Italian Journal of Game Studies 6/2	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_CriticalNotes_Collins.pdf	playlist; history; Beep
Collins	Karen		Game Sound: Reverberations	Journal of Sound and Music in Games 1/1; 100-102	2020	AP		game sound; music; history; scholarship; emergence; industry
Collins	Karen		Playing with Sound: A Theory of Interacting with Sound and Music in Video Games	Cambridge; Mass. and London: MIT Press	2013	BM		interaction; embodied cognition; experience; performance; theory
Cook	James		Playing with the Past in the Imagined Middle Ages: Music and Soundscape in Video Game	In Dorothy Kim and Christopher Roman (eds.); Sounding Out! 'Theme: Medieval Soundscapes'. 3 October 2016.	2016	EA	https://soundstudiesblog.com/2016/10/03/playing-with-the-past-in-the-imagined-middle-ages-music-and-soundscape-in-video-game/	Medievalism; early music; fantasy; high fantasy; social structure; sonic; representations of the past
Cook	Karen		Beyond the Grave: The “Dies Irae” in Video Game Music	Sounding Out!	2017	BG	https://soundstudiesblog.com/2017/12/18/beyond-the-grave-the-dies-irae-in-video-game-music/	chant; dies irae; medievalism
Cook	Karen		Beyond (the) Halo: Plainchant in Video Games	Studies in Medievalism XXVII: Authenticity; Medievalism; Music	2018	AC	http://medievalism.net/?page_id=55	chant; plainchant; halo; medievalism
Cook	Karen M.		Music; History; and Progress in Sid Meier's Civilization IV	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Civilization IV; music history; classical music
Cook	Karen M.		“The Things I Do for Lust …”: Humor and Subversion in The Bard’s Tale	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 21-34	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	parody; song; voice; cutscenes; genre; identity; folk; celtic; medievalism; Scotland
Cook	Karen		Medievalism and emotions in video game music	Postmedieval 10/4; 482–497	2019	AP	https://link.springer.com/article/10.1057/s41280-019-00141-z	bell; organ; voice; medievalism; textless; wordless; gothic; emotion; supernatural; history; historical
Cook	Karen		Canon Anxiety?	Journal of Sound and Music in Games 1/1; 95-99	2020	AP		canon formation; historiography; authority; diversity
Cook	Karen M.		Review: Unlimited rereadings: recent contributions to video game music scholarship	Sound Studies	2020	AP
Cook	James		Sonic medievalism; world building; and cultural identity in fantasy video games	In Karl Fugelso (ed.) Studies in Medievalism XXIX (Boydell and Brewer)	2020	AC		fantasy; medieval; geography; history; middle ages
Cook	Karen		Gaming the Medievalist World in Harry Potter	In Stephen C. Meyer and Kirsten Yri (ed); The Oxford Handbook of Music and Medievalism	2020	AC	https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780190658441.001.0001/oxfordhb-9780190658441-e-45	Harry Potter; Sorcerer’s Stone; Chamber of Secrets; video games; timbre; interactive play
Cook	James		Game Music and History	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 343-358	2021	AC		The Witcher; Machaut; Medieval; Medievalism; Civilization; Renaissance; intermediality; Celtic; Baroque; historiography
Costello	Brigid Mary		Rhythmic Entrainment in Games	In Serious Games: Second Joint International Conference; JCSG 2016; Brisbane; QLD; Australia; September 26-27; 2016; Proceedings (Marsh; T.; Ma; M.; Oliveira; M. F.; Baalsrud Hauge; J. & Göbel; S. eds.)	2016	AS		rhythm games; entrainment; serious games
Costello	Bridgid Mary		The Rhythm of Game Interactions: Player Experience and Rhythm in Minecraft and Don’t Starve	Games and Culture 13/8	2016	AP	https://doi.org/10.1177%2F1555412016646668	rhythm; game rhythms; rhythmic experience; gameplay; game feel; player experience; Minecraft; Don’t Starve; game design; interaction design
Courcelle	Kevin		Techniques d'écritures musicales dans le JRPG: exemples de Final Fantasy VII et Final Fantasy VIII	UPEM	2015	DM (M)	https://ffmusic.files.wordpress.com/2019/02/courcelle-kevin-technique-dc3a9criture-jrpg-2.pdf	Musical analysis; FInal Fantasy VII; Final Fantasy VIII; Nobuo Uematsu
Covarrubias Acosta	Sabina		Pour une écriture multimédia dans la composition musicale	Paris 8	2016	DD	https://hal.archives-ouvertes.fr/tel-01664506	music notation; oral tradition; ethnomusicology; contemporary music; multimedia
Crathorne	Pieter		Video game genres and their music	University of Stellenbosch	2010	DM (M)	http://scholar.sun.ac.za/bitstream/handle/10019.1/4355/Crathorne;+P.J.pdf?sequence=1	genre; art music; film music; music theory;
Cunningham	Stuart	Vic Grout; Rich Picking	Emotion; Content; and Context in Sound and Music	in Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 235-263	2011	AC		Sound artefacts; information; processing; meaning; purpose; emotion; content analysis; context
Cury	Mónica Moreira		La Música de los Videojuegos: Modalidades de Uso y Su Relación Con El Imaginario Social. Un Estudio Sobre La Banda Sonora Del Juego: Final Fantasy VI'	University of Chile	2004	DM (M)		function; social implications; film music; Final Fantasy VII
Custodis	Michael		Playing with Music - Featuring Sound in Games	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
D’Errico	Mike		Worlds of Sound: Indie Games; Proceduralism; and the Aesthetics of Emergence	Music; Sound; and the Moving Image 9/2	2015	AP	https://online.liverpooluniversitypress.co.uk/doi/abs/10.3828/msmi.2015.13	indie; sound design; generative music; procedural music; Fract OSC; Proteus
d’Escriván	Julio	Nick Collins	Musical Goals; Graphical Lure and Narrative Drive: VisualAudio in Games	Journal of Visual Culture 10/2	2011	AP		audiovisual; education interactivity; learning; music games; rewards; skills
Dahan	Julien		La musique de jeux vidéo comme objet d'étude	Allemagne	2016	DM (M)	http://www.sudoc.fr/199557888	music education; motivation; teenage students
DeCastro	Daniel		Quality Video Game Music Scores; Considering the Standards Set; and Personal Reflections	New York University	2007	DM (M)	http://www.vgmusic.com/information/vgpaper3.html	composition; aesthetics; music education; concerts;
Demers	Joanna		Dancing machines: :Dance Dance Revolution'; cybernetic dance; and musical taste	Popular Music 25/3; 401-414	2006	AP		music games; society; subcultures; Dance Dance Revolution; popular music; dance
Denis	Guillaume		Jeux vidéo éducatifs et motivation: application à l’enseignement du jazz	Ecole Nationale Supérieure des Mines	2006	DD	http://www.sudoc.fr/11856885X	psychology of learning; jazz; educational games; Pads'n'Swing; motivation theory
D'Errico	Mike		How To Reformat The Planet: Technostalgia And The “Live” Performance Of Chipmusic	Journal on the Art of Record Production 6	2012	AP		chiptune; ethnography; tracker interfaces; Game Boy; Bitshifter
D'Errico	Michael		Worlds of Sound: Indie Games; Proceduralism; and the Aesthetics of Emergence	Music; Sound and the Moving Image 9/2; 191-206	2015	AP	https://online.liverpooluniversitypress.co.uk/doi/abs/10.3828/msmi.2015.13	generative; procedural; indie; sound design; Proteus
d'Escrivan	Julio		Electronic Music and the Moving Image	In Nick Collins and Julio d'Escrivan (eds.); The Cambridge Companion to Electronic Music (Cambridge: Cambridge University Press); 156-170.	2007	AC		film music; electronic music; audio design; composition; television music;
Deutsch	Stephen		Music for Interactive Moving Pictures	In Larry Sider; Diane Freeman and Jerry Sider (eds.) Soundscape: The School of Sound Lectures 1998-2001 (London and New York: Wallflower Press) 28-34.	2003	AC		film music; history; composition; electronic music; transitions;
Diaz-Gasca	Juan Sebastian		Music Beyond Gameplay: Motivators in the Consumption of Videogame Soundtracks	Queensland Conservatorium of Music; Griffith University	2015	DD	https://www120.secure.griffith.edu.au/rch/items/839fcd41-d5de-49eb-b062-955fa92c23b1/1/	soundtrack; narrative; marketing; sociocultural; nostalgia; consumption; themes; associations; fandom
Diaz-Gasca	Sebastian		Super Smash Covers!: Performance and audience engagement in Australian videogame music cover bands	Perfect Beat 19/1	2018	AP	https://journals.equinoxpub.com/index.php/PB/article/view/34525	Australian cover bands; Boss Fight; The Consouls; performance; fan studies
Dibben	Nicola		Visualizing the App Album with Björk’s Biophilia	In Carol Vernallis; Amy Herzog; John Richardson (ed.); The Oxford Handbook of Sound and Image in Digital Media (Oxford: Oxford University Press)	2013	AC		music app; music album; interactivity; multisensory; Björk; Biophilia
Dittbrenner	Nils		Soundchip-Musik Computer- und Videospielmusik von 1977-1994	Universität Lüneburg	2005	DM (M)		history; console hardware; technology; composition; 8-bit; dynamic music; chip music;
Dockwray	Ruth	Karen Collins	A Symphony of Sound: Surround Sound in Formula One Racing Games	In Paul Théberge; Kyle Devine; Tom Everett (eds.); Living Stereo: Histories and Cultures of Multichannel Sound; New York; London: Bloomsbury	2015	AC		racing game; Formula One; surround sound; sound effects; Low Frequency Effects
Dolphin	Andrew		Defining Sound Toys: Play as Composition	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		sound toys; open work; instruments; spectromorphology; generative systems
Donahue	Chris	Huanru Henry Mao; Julian McAuley	The NES Music Database: A multi-instrumental dataset with expressive performance attributes	19th International Society for Music Information Retrieval Conference; Paris; France; 2018.	2018	AS	https://arxiv.org/abs/1806.04278	emulation; composition; performance; Nintendo; expression; formats; synthesizer
Donnelly	K.J.		Lawn of the Dead: The Indifference of Musical Destiny in Plants vs. Zombies	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Plants vs. Zombies; dynamic music; anempathetic music; horror games
Donnelly	K.J.		Emotional Sound Effects and Metal Machine Music: Soundworlds in Silent Hill Games and Films	In The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. Liz Greene; Danijela Kulezic-Wilson (eds.). London: Palgrave Macmillan	2016	AC		Silent Hill; adaptations; film; unified soundtracks
Donnelly	K. J.		The Triple Lock of Synchronization	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 94-109	2021	AC		immersion; synchresis; Gestalt psychology; Quake; Dead Space; The Old City: Leviathan; Wii Fit; Plants vs Zombies; Candy Crush Saga; diegesis
Doucet	Jeanne		Le timbre comme élément signifiant dans la musique de jeu vidéo: le cas de World of Warcraft de Blizzard Entertainment	Université de Montréal	2016	DM (M)	https://papyrus.bib.umontreal.ca/xmlui/handle/1866/19205	psychoacoustic; musical meaning; timbre; World of Warcraft
Dozal	Mario A.		Consumerism Hero: The "Selling Out" of Guitar Hero and Rock Band	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		rock; political economy; authenticity; Guitar Hero; Rock Band; rhythm game; commodification; conspicuous consumption
Drescher	Peter		Could ringtones be more annoying?	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 47-54	2008	AC		transfer; sonic quality; future; MP3; technology; customization
Driscoll	Kevin	Joshua Diaz	Endless Loop: A Brief history of Chiptunes	Transformative Works and Cultures 2	2009	AP		8-bit; demo scene; participatory culture; sampling
Droumeva	Milena		An Acoustic Communication Framework for Game Sound: Fidelity; Verisimilitude; Ecology	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 131-152	2011	AC		Fidelity; verisimilitude; acoustic realism; communication; patterns of listening; acoustic communities; ecology; listening modes; attentional stances; soundscapes; culture
Dupas	François-Xavier		Composer à l’image: style; production et interactivité	Université de Montréal	2017	DD	https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/19570/Dupas_Francois-Xavier_2016_these.pdf?sequence=4&isAllowed=y	composition; multimedia; picture; integration; interactivity; momentum; generativity
Ekman	Inger	Petri Lankoski	Hair-Raising Entertainment: Emotions; Sound; and Structure in Silent Hill 2 and Fatal Frame	In Bernard Perron (ed); Horror Video Games: Essays on the Fusion of Fear and Play (Jefferson; NC: McFarland & Co); 181-199.	2009	AC		perception; emotion; Silent Hill 2; Fatal Frame; threat
Ekman	Inger		A Cognitive Approach to the Emotional Function of Game Sound	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		nonmusical sound; emotion; affect; embodied cognition; narrative
Erbe	Marcus		Mundane Sounds in Miraculous Realms: An Auditory Analysis of Fantastical Games	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS); 125-146	2013	AC		fantastical games; mundane;
Erbe	Marcus		Review of Performing Bytes: Musikperformances der Computerspielkultur; by Melanie Fritsch	Journal of Sound and Music in Games 1/3; 68-70	2020	AP		Melanie Fritsch; Performing Bytes; ludomusicology; theatre studies; performativity; musicking; embodiment; gameplay; music games; performances of game music
Evans	Richard		Analyzing and designing dynamic music systems for games	University of York	2019	DD	http://etheses.whiterose.ac.uk/27365/	dynamic music; adaptive music; composition; Tomb Raider; Dark Souls; Halo; modularity; granularity
Ey	Mike	Joe Pietruch and David I. Schwartz	"Oh-No! Banjo": a case study in alternative game controllers	Futureplay '10 Proceedings of the International Academic Conference on the Future of Game Design and Technology; pp.215-218	2010	AS		instrument; interface; controller; music; banjo
Eyles	Mark	Dan Pinchbeck	Playful Ambience	DiGRA '11 - Proceedings of the 2011 DiGRA International Conference: Think Design Play	2011	AS		ambient music; Brian Eno; gamification; Ford Fusion Hybrid
Faiza Alam	Nowshin	Pujana Paliyawan; Ruck Thawonmas	Towards Musical Game Therapy: A Survey on Music Therapy and Games for Health Promotion	IICST2020: 5th International Workshop on Innovations in Information and Communication Science and Technology; Malang; Indonesia	2020	AS	http://ceur-ws.org/Vol-2627/short2.pdf	serious games; music therapy; mental health
Farnell	Andy		Behaviour; Structure and Causality in Procedural Audio	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 313-339	2011	AC		Procedural audio; historical; philosophical; commercial; technological; sound synthesis; virtual world; interactivity; real-time; computation
Farnell	Andy		An introduction to procedural audio and its application in computer games.	Self Published	2007	EA	http://cs.au.dk/~dsound/DigitalAudio.dir/Papers/proceduralAudio.pdf	procedural audio; composition; perception; technology
Faure-Grise	Fabrice		Améliorer l’UX des jeux mobiles en réalité augmentée: recommandations pour la modélisation du son	École Normale Supérieure de Lyon (ENSL)	2018	DM (M)	https://drive.google.com/file/d/120hmP8eN1F_GtmISfJsILJfBHu7hm-Z3/view?usp=sharing	UX design; augmented reality; mobile games
Fay	Todd M.	Scott Selfon and Todor J. Fay	DirectX 9 Audio Exposed: Interactive Audio Development	Plano; Texas: Wordware	2004	BC		composition; audio design; technology; DirectMusic; middleware
Ferreira	Lucas	Jim Whitehead	MTG: Context-Based Music Composition for Tabletop Role-Playing Games	Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment; 13(1).	2017	AS	https://ojs.aaai.org/index.php/AIIDE/article/view/12914	algorithmic music composition; tabletop role-playing games; narratives; natural language processing
Ferreira	Emmanoel	Jorge Cardoso Filho	Playing (with) the Music: Game and Appropriation in the Chiptune Music Scene	Journal of Digital Media & Interaction	2019	AP	https://doi.org/10.34624/jdmi.v2i4.8037	mutual adaptation; play experience; chiptune; chip tune
Fleshner	Nathan		Pitching the Rhythm: Music Games for the iPad	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		rhythm; Groove Coaster; Tone Sphere; iPad; music theory; composition; Soundrop; music games
Foison	Fabrice		La narrativité musicale dans Final Fantasy VII	CRR de Paris	2013	DM (M)		Final Fantasy VII; Nobuo Uematsu; narrativity
Fournier	Nicolas		L'interaction sonore dans le jeu vidéo	Ecole nationale supérieure Louis Lumière	2011	DM (M)		interactive sound
Franco-Rogelio	Christophe		Le Roi est nu ! La musique au sein des jeux vidéo à monde ouvert.	Université d'Aix-Marseille	2018	DM (M)	https://dumas.ccsd.cnrs.fr/dumas-01820289/document	narrative environment; game design; gameplay; integration; open world; interactive music; adaptative music
Franklin	Janice		Video Game Audio: Music?	AAA-TAC: Acoustical; art and artifacts"Technology; aesthetics; communication. Vol. 1	2004	AP		interviews; perception; dynamic music; reviews; journalism;
Freitas	Joana		Kill the Orchestra: On Music; Mods; and Immersion in The Elder Scrolls on the Nexus Mods Platform	Journal of Sound and Music in Games 2/2	2021	AP		soundtrack; mods; immersion; realism; playbour; cybercommunities; fans
Friberg	Johnny	Dan Gärdenfors	Audio Games: New perspectives on game audio	Paper presented at the" ACE conference 2004; Singapore; June 2004	2004	AS		audio games; game design; audio design; Mudsplat; X-tune; Tim's Journey; perception;
Fritsch	Melanie		Musik spielen - Computerspiele und Musik	ACT 2	2011	AP	http://www.act.uni-bayreuth.de/de/archiv/2011-02/01_editorial/index.html	history; Video Games Live; Civilization IV; awards; Scott Pilgrim vs. the World
Fritsch	Melanie		Worlds of Music: Strategies for Creating Music-based Experiences in Videogames	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		gameplay pattern; rhythm games; virtual world; narrative; experience; gestalt theory; Brütal Legend; Eternal Sonata; Vib-Ribbon
Fritsch	Melanie		Beat it!--Playing the "King of Pop" in Video Games	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Michael Jackson; performance studies; stardom; Michael Jackson's Moonwalker
Fritsch	Melanie		"It's a-me; Mario!": Playing with Video Game Music	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		literacy; fandom; participatory culture; Super Mario Bros.: The 8-Bit Opera
Fritsch	Melanie		History of Video Game Music	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS); 11-41	2013	AC
Fritsch	Melanie		Live Performance Games? - Musikalische Bewegung sehen; hören und spielen.	In Schroedter; Stephanie (ed.); "Bewegungen zwischen Hören und Sehen: Denkbewegungen über Bewegungskünste"; Würzburg: Königshausen & Neumann; 2012; p. 609-624.	2012	AC
Fritsch	Melanie	Stefan Strötgen	Relatively Live: How to Identify Live Music Performances	Music and the Moving Image 5/1; 2012 (March)	2012	AP
Fritsch	Melanie		Musik	in Benjamin Beil; Thomas Hensel; Andreas Rauscher (eds.); Game Studies (Wiesbaden: Springer VS); 87-107	2017	AC	https://link.springer.com/chapter/10.1007/978-3-658-13498-3_5	history; composition; introductoin; overview; Left 4 Dead
Fritsch	Melanie		Musik und Computerspiele; oder: Wie das »Ludo-« in die Musikologie kam	in Christoph Hust (ed.) Digitale Spiele Interdisziplinäre Perspektiven zu Diskursfeldern; Inszenierung und Musik (Bielefeld: Transcript Verlag) 385-396	2018	AC	http://www.transcript-verlag.de/978-3-8376-4002-1/digitale-spiele/	performance; overview; theory; history
Fritsch	Melanie		Performing Bytes. Musikperformances der Computerspielkultur	Würzburg: Köningshausen & Neumann	2018	BM	https://www.verlag-koenigshausen-neumann.de/product_info.php/info/p9039_Performing-Bytes--Musikperformances-der-Performing-Bytes--Musikperformances-der-Computerspielkultur---br--Thurnauer-Schriften-zum-Musiktheater--Band-35-.html	performance; performativity; theory; history; Japan; fan studies; GameFilk; chip music; Tetsuya Mizuguchi; Koji Kondo; Nobuo Uematsu; Super Mario Bros; Final Fantasy VI; Geemu Ongaku; ludomusicology
Fritsch	Melanie	Tim Summers	Introduction	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 1-4	2021	AC		Ludomusicology; game music studies; Space Invaders; history; analysis
Fritsch	Melanie	Tim Summers	Part 1: Chiptunes	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 5-11	2021	AC		chips; Programmable sound generators (PSG); Tomohiro Nishikado; soundchip; homebrew; demoscene; Chris Hülsbeck; preservation; emulation; hardware
Fritsch	Melanie	Tim Summers	Part 2: Creating and Programming Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 59-63	2021	AC		composition; layers; loops; dynamic music; interactive music; adaptive music; programming; implementation; genre; production
Fritsch	Melanie	Tim Summers	Part 3: Analytical Approaches	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 131-139	2021	AC		film music; play; music games; listening; harmonic analysis; topic theory; modularity; thematic analysis; nonlinear; non-linear; diegesis
Fritsch	Melanie		Performance	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 238-262	2021	AC		Chipmusic; Embodiment; Game feel; Gestalt theory; Literacy; Ludomusicology; Music as performance; Musicking; Performativity
Fritsch	Melanie	Tim Summers	Part 4: Realities; Perception and Psychology	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 263-268	2021	AC		Immersion; Landscape; virtuality; realism; history; worldbuilding; gameworld; kinesonic synchresis; acoustic ecology; physiology; presence
Fritsch	Melanie	Tim Summers	Part 5: Game Music; Contexts and Identities	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 319-326	2021	AC		classical music; medieval music; race; class; disability; gender; geography; poltics; identity; folk music
Fritsch	Melanie	Tim Summers	Part 6: Beyond the Game	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 389-394	2021	AC		Haruomi Hosono; Mario Paint; soundtracks; OST; album; concerts; arrangements; adaptations; fandom; participatory culture; education; franchise
Furlong	Cian		Computer Game Music - A Multifunctional Medium	University College Dublin	2004	DM (U)	https://danielrparente.files.wordpress.com/2012/04/computer_game_music_-_a_multifunctional_medium.pdf	composition; Super Mario Bros.; film music; marketing; function
Gallacher	Susan		The Sounds of Skyrim: A Musical Journey Through Gaming	In Angela Cresswell Jones and Rebbecca Jane Bennett (eds.); The Digital Evolution of Live Music (Waltham; MA; Kidlington: Chandos); pp. 99-106	2015	AC		Liveness; Skyrim
Gallagher	Rob		“All the Other Players Want to Look at My Pad”: Grime; Gaming; and Digital Identity	Game: The Italian Journal of Game Studies 6/1	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_Journal_Gallagher.pdf	Grime; identity; masculinities; sampling; gamer culture
Galloway	Kate		Soundwalking and the Aurality of Stardew Valley: An Ethnography of Listening to and Interacting with Environmental Game Audio	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 159-178	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	farming; ecology; environments; reality; fidelity; Hildegard Westerkamp; Andra McCartney; performance; immersion; soundscape; listening
Galloway	Kate		Rewind; revisit; relisten: Transport; spatial displacement and mixtape environments in Small Radios Big Televisions	The Soundtrack 11/1-2; 99-118	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	Small Radios Big Televisions; analogue and digital technology; failure; magnetic tape; materiality; mixtape; soundscape
Ganiti	Aikaterini	Nikolaos Politopoulos; Thrasyvoulos Tsiatsos	The Impact of Background Music on an Active Video Game	In Interactive Mobile Communication Technologies and Learning: Proceedings of the 11th IMCL Conference. Michael E. Auer; Thrasyvoulos Tsiatsos (eds.)	2018	AS		background music; emotions; Tennis Attack; Kinect
Garner	Tom A.	Mark Grimshaw	Sonic Virtuality: Understanding Audio in a Virtual World	In Mark Grimshaw (ed.); The Oxford Handbook of Virtuality (Oxford; Oxford University Press)	2014	AC		embodied cognition; imagination; acoustic ecology; virtuality; reality
Gaudy	Thomas		Etudes et développements de jeux vidéo sonores et accessibles aux personnes aveugles	Conservatoire National des Arts et Métier	2008	DD	http://www.sudoc.fr/132402076	visual impairment; sound games; grip; directives; earcones
Genvo	Sébastien	Nicole Pignier	Comprendre les fonctions ludiques du son dans les jeux vidéo: Pour la formulation d’un cadre théorique de sémiotique multimodale	Communication 28/2	2011	AP	https://journals.openedition.org/communication/1845?lang=en	semiotics; film theory; intermediality
Gersic	Thomas E.		Playing and the Past: Toward a New Sound for Games	In Zach Whalen and Laurie N. Taylor (eds.); Playing the Past: History and Nostalgia in Video Games; Nashville TN: Vanderbilt University Press.	2008	AC		sound design; Digital Audio Workstation; Resident Evil O; Hitchcock; diegetic sound effects; generative music
Ghazarian	Danielle		The Tuning of the World…of Warcraft! The Immersive Potential of Videogame Audio	Masters Dissertation; Carleton University	2011	DM		immersion; flow; environment; MMORPG
Gibbons	William		Wrap Your Troubles in Dreams: Popular Music; Narrative; and Dystopia in Bioshock	Game Studies 11/3	2011	AP	http://gamestudies.org/1103/articles/gibbons	popular music; perception; Bioshock; narrative; licensed music; irony
Gibbons	William		Wandering Tonalities: Silence; Sound; and Morality in Shadow of the Colossus	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Shadow of the Colossus; silence; dynamic music
Gibbons	William		Remixed Metaphors: Manipulating Classical Music and its Meanings in Video Games	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		classical music; Gyruss; Fez; Boom Boom Rocket; Catherine
Gibbons	William		Blip; Bloop; Bach? Some Uses of Classical Music on the Nintendo Entertainment System	Music and the Moving Image 2/1; 40-52	2009	AP		classical music; NES; composition; Battle of Olympus; Captain Comic; Pirates!; Tetris; politics; imagery; Folk Tunes; Tchaikovsky; Bach; Handel; Mozart; pre-existing music
Gibbons	William		Music; Genre; and Nationality in the Postmillenial Fantasy Role-Playing Game	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 412-427	2017	AC		RPG; JRPG; Inon Zur; Elder Scrolls; Nobuo Uematsu; Koichi Sugiyama; Jeremy Soule; The Witcher; narrative; game type
Gibbons	William		Unlimited Replays: Video Games and Classical Music	Oxford: Oxford University Press	2018	BM		classical music; Chopin; BioShock: Infinite; Civilization IV
Gibbons	William		The Sounds in the Machine: Hirokazu Tanaka's Cybernetic Soundscape for Metroid	In The Palgrave Handbook of Sound Design and Music in Screen Media: Integrated Soundtracks. Liz Greene; Danijela Kulezic-Wilson (eds.). London: Palgrave Macmillan	2016	AC		Metroid; sound design; Forbidden Planet; art music; NES
Gibbons	William		Little harmonic labyrinths: Baroque musical style on the Nintendo Entertainment System	In James Cook; Alexander Kolassa; Adam Whittaker (eds.); Recomposing the Past: Representations of Early Music on Stage and Screen (New York: Routledge)	2018	AC	https://www.taylorfrancis.com/books/e/9781351975520/chapters/10.4324%2F9781315268255-9	Nintendo Entertainment System; Dragon Warrior; baroque music; aesthetics; medievalism
Gibbons	William		Song and the Transition to “Part-Talkie” Japanese Role-Playing Games	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 9-20	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	silent film; cinema; Lunar; voice; JRPG; Grandia II; song; Noriyuki Iwadare
Gibbons	William		Rewritable Memory: Concerts; Canons; and Game Music History	Journal of Sound and Music in Games 1/1; 75-81	2020	AP		canon; concert; Video Games Live; narrative; orchestra
Gibbons	William		The Problem with Players: A Response to Jonathan Godsall	Journal of Sound and Music in Games 1/1; 116-118	2020	AP		William Gibbons; Jonathan Godsall; Unlimited Replays; classical music; borrowing; model reader; player experience
Gibbons	William		Open Worlds: Globalization; Localization; and Video Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 359-375	2021	AC		Japan; regions; Katamari Damacy; Tales (series); Motoi Sakuraba; demographics; mukokuseki; cultural erasure; Gran Turismo; translation
Gilbert	Jean-Michel		Algorithmes de génération de musique pour application dans les jeux vidéo	Université du Québec à Chicoutimi	2008	DM (M)	https://constellation.uqac.ca/198/1/030095617.pdf	algorithm; procedural generation; computing; mathematics
Godsall	Jonathan		Review of Unlimited Replays by William Gibbons	Journal of Sound and Music in Games 1/1; 113-115	2020	AP		William Gibbons; Unlimited Replays; classical music; borrowing; player; art; film music; game music; BioShock
Gold	Kevin	Alex Olivier	Using Machine Translation to Convert Between Difficulties in Rhythm Games	Proceedings of the Sixth AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment	2010	AS		guitar hero; difficulty; heuristics; neural network
Golding	Dan		Finding Untitled Goose Game’s Dynamic Music in the World of Silent Cinema	Journal of Sound and Music in Games 2/1; 1-16	2021	AP	https://doi.org/10.1525/jsmg.2021.2.1.1	dynamic music; Untitled Goose Game; musical adaptation; silent cinema; Mickey-Mousing; Claude Debussy
Goodwin	Simon		Beep to Boom: The Development of Advanced Runtime Sound Systems for Games and Extended Reality	New York: Routledge	2019	BM		interactive audio; VR; sound design; implementation; sound field
Graakjær	Nicolai Jørgensgaard		‘Listen to the atmosphere!’: On spectator sounds and their potentially disruptive role in a football simulation video game	The Soundtrack 11/1-2; 39-55	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	FIFA; spectator sounds; sports; television; sound design
Granier	Emma		Influence de la musique dans le succès des jeux vidéo en France de 1990	Université Sorbonne Nouvelle-Paris 3	2013	DM (M)	http://www.sudoc.fr/182418111	France; success; 1990's games; cultural mediation
Grasso	Julianne		Music in the Time of Video Games: Spelunking Final Fantasy IV	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 97-116	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	JRPG; time; narrative; navigation; chronology; harmony; structure; storytelling; temporality; harmonic structure; battle; turn; repetition
Grasso	Julianne		On Canons as Music and Muse	Journal of Sound and Music in Games 1/1; 82-86	2020	AP		canons; concerts; remix; fandom; The Legend of Zelda
Grasso	Julianne		Video Game Music; Meaning; and the Possibilities of Play	University of Chicago	2020	DD	https://knowledge-uchicago-edu/record/2292	ludomusicology; music cognition; meaning; play; ecological psychology; conceptual blending; ludonarrative; affect; magic circle; embodiment
Greenfield-Casas	Stefan		Between Worlds: Musical Allegory in Final Fantasy X	The University of Texas at Austin	2017	DM (M)	https://www.academia.edu/33912037/Between_Worlds_Musical_Allegory_in_Final_Fantasy_X	Final Fantasy; Kingdom Hearts; Nobuo Uematsu; hyperreal; simulation; antitheism; replay value; tonality
Greenfield-Casas	Stefan		Playing with Time in the Zodiac Age	Musicology Now	2017	AG	http://musicologynow.ams-net.org/2017/08/playing-with-time-in-zodiac-age.html?m=1	Hitoshi Sakimoto; Final Fantasy; Bakhtin; temporality; grinding; boss battles; chronotope
Grethe	Mitchell	Andrew Clarke	Videogame Music: Chiptunes Byte Back?	DiGRA '07 - Proceedings of the 2007 DiGRA International Conference: Situated Play	2007	AS		chiptune; 8-bit music; subculture
Grimshaw	Mark		Game Sound: Game Sound Technology and Player Interaction: Concepts and Developments	Hershey; Pa: Information Science Reference	2010	BC		See individual entries
Grimshaw	Mark	Tom A. Garner	Embodied Virtual Acoustic Ecologies of Computer Games	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		embodied cognition; emotion; affect; biofeedback; psychophysiology; acoustic ecology
Grimshaw	Mark		Sound and Player Immersion in Digital Games	In Trevor Pinch and Karin Bijsterveld (eds.); The Oxford Handbook of Sound Studies (Oxford Oxford University Press)	2011	AC		first-person shooter; sound; immersion; real world; virtual world
Grimshaw	Mark	Gareth Schott	A Conceptual Framework for the Analysis of First-Person Shooter Audio and its Potential Use for Game Engines	International Journal of Computer Games Technology	2008	AP		perception; ecology; first-person shooter; audio design; affordance
Grimshaw	Mark	Craig A. Lindley; Lennart Nacke	Sound and Immersion in the First-Person Shooter	International Journal of Intelligent Games & Simulation 5/1	2008	AP		first-person shooter; audio design; immersion; procedural audio; technology
Grimshaw	Mark	Craig A. Lindley; Lennart Nacke	Sound and Immersion in the First-Person Shooter:Mixed Measurement of the Player's Sonic Experience	Proceedings of Audio Mostly 2008	2008	AS		first-person shooter; audio design; immersion; procedural audio; technology
Grimshaw	Mark		The Acoustic Ecology of the First-Person Shooter: The Player Experience of Sound in the First-Person Shooter Computer Game	Saarbrücken: VDM Verlag Dr. Mueller	2008	BM		perception; ecology; first-person shooter; audio design; Urban Terror; soundscape; affordance; Gibson; space
Grimshaw	Mark	Gareth Schott	Situating Gaming as a Sonic Experience: The acoustic ecology of First-Person Shooters	Situated Play (2007) Proceedings of DIGRA; Digital Games Research Association; September 24-28; 2007; Tokyo; Japan	2007	AS		perception; ecology; first-person shooter; audio design; soundscape; affordance
Grimshaw	Mark		The Acoustic Ecology of the First-Person Shooter	University of Waikato	2007	DD		perception; ecology; first-person shooter; audio design; Urban Terror; soundscape; affordance; Gibson; space
Grimshaw	Mark	Siu-Lan Tan; Scott D. Lipscomb	Playing with Sound: The Role of Music and Sound Effects in Gaming	In Tan; Siu-Lan; Cohen; Annabel J. Cohen; Scott D. Lipscomb; Roger A. Kendall (eds.); The Psychology of Music in Multimedia	2013	AC		psychology; sound design; cognitive load; review; technology
Grimshaw-Aagaard	Mark		A Step Back from Reality: Sound and Presence in Computer Games and Other Worlds	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 269-283	2021	AC		environment; perception; virtuality; audition; psychoacoustics; localization; fidelity; simulation; immersion; hearing
Grosser	Michelle		Avatar/Player Subjectivity: An Agential Analysis of Crypt of the NecroDancer	Journal of Sound and Music in Games 1/3; 1-14	2020	AP		immersion; virtual; agency; cognition; perception
Gu	Jeff		Hearing Hyrule: Immersion through Sound in The Legend of Zelda: Breath of the Wild	In RMA/KVNM Postgraduate Proceedings 2020, ed. Liselotte Podda, Charissa Granger, Núria Bonet, Sio Pan Leon, Tamar Hestrin-Grader, Veerle Driessen	2021	AC	https://www.kvnm.nl/en/Publisher/RMA%7CKVNM-Postgraduate-Proceedings-2020	The Legend of Zelda: Breath of the Wild; ALI model; immersion
Guerraz	Agnes	Jacques Lemordant	Indeterminate adaptive digital audio for games on mobiles	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 55-72	2008	AC		mobiles; portable; API; audio formats; AMML; interactive; 3D audio; iXMF; programmatic control
Hambleton	Elizabeth		Gray Areas: Analyzing Navigable Narratives in the Not-So-Uncanny Valley Between Soundwalks; Video Games; and Literary Computer Games	Journal of Sound and Music in Games 1/1; 20-43	2020	AP		interactive; soundwalk; soundscape; walking simulator; narrative; ludostylistics; soundscape
Harbour	Tim		Music in Indie video games: a composer's perspective on musical approaches and practices	University of Witwatersrand, Johannesburg	2016	DD		indie games; composition; Braid; Fez; Journey; dynamic music
Hart	Iain		Meaningful Play: Performativity; Interactivity and Semiotics in Video Game Music	Musicology Australia; 36/2; pp. 273-290	2014	AP	http://dx.doi.org/10.1080/08145857.2014.958272	ludomusicology; performativity; interactivity; semiology; semiotics; music; expression; text; gameplay
Hart	Iain		Hard Boiled Music: The Case of L.A. Noire	Screen Sound; n5	2015	AP	http://www.screensoundjournal.org/issues/n5/06.%20SSJ%20n5%20Hart.pdf	film noir; neo-noir; period noir; hard-boiled detective fiction; jazz; jeu noir
Hart	Iain		Semiotics in Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 220-237	2021	AC		communication; Skyrim; Elder Scrolls; interactivity; signs; meaning; interpretation; configurative signs; signification; battle; combat
Harvey	Trevor S.		Virtual Worlds: An Ethnomusicological Perspective	In Mark Grimshaw (ed.); The Oxford Handbook of Virtuality (Oxford; Oxford University Press)	2014	AC		virtual worlds; Second Life; musical personas; identity; avatars; ethnography
Havre	Sigrid Jordal	Lauri Väkevä; Catharina R. Christophersen; Egil Haugland	Playing to learn or learning to play? Playing Rocksmith to learn electric guitar and bass in Nordic music teacher education	British Journal of Music Education 36/1	2019	AP	https://doi.org/10.1017/S026505171800027X	education; teaching; learning; Rocksmith; TPACK; pedagogy
Havryliv	Mark	Emiliano Vergara-Richards	From Battle Metris to Symbiotic Symphony: A New Model for Musical Games	University of Wollongong Research Online	2006	AS	http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1027&context=creartspapers	music games; Battle Metris; gamification; John Cage; Iannis Xenakis; game design;
Hébert	Sylvie	Renée Béland; Odrée Dionne-Fournelle; Martine Crête; Sonia J. Lupien	Physiological Stress Response to Video-Game Playing: The Contribution of Built-in Music	Life Sciences 76/20; pp. 2371-80	2005	AP		psychology; Quake III Arena; stress; experiment
Hein	Ethan		Music Games in Education	In Karen Schrier (ed.); Learning; Education and Games (Pittsburgh: ETC Press); 93-108	2014	AC		education; DAW; Electronic music; Generative music; MIDI; Notation software; Remix; Sequencer; Win condition
Herber	Norbert		The composition-instrument: emergence; improvisation and interaction in games and new media	in Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 103-123	2008	AC		Spore; Brian Eno; sound garden; interaction; art music; electroplankton; minimalism
Hermans	Phillip		Cooperation and Competition in Music Composition	Dartmouth College	2013	DM (M)	http://gradworks.umi.com/15/64/1564117.html	music composition; games; consensus protocol; agent-based modeling; music education
Herz	J. C.		Joystick Nation: How Videogames Gobbled Our Money; Won Our Hearts and Rewired Our Minds	London: Abacus	1997	BM		History; sound effects; technology development (causal); regional differences of composition; early composition styles
Herzfeld	Gregor		Atmospheres at Play: Aesthetical Considerations of Game Music	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Hoffert	Paul		Music for New Media: Composing for Videogames; Web Sites; Presentations; and other Interactive Media	Boston; MA: Berklee Press	2007	BM		Composition; technology; middleware;
Holtar	Nils Iver	Mark J. Nelson; and Julian Togelius	Audioverdrive: Exploring bidirectional communication between music and gameplay	Proceedings of the 2013 International Computer Music Conference	2013	AS		Composition; bidirectional ; interactive; dynamic music
Höltgen	Stefan		Play that Pokey Music: Computer Archeological Gaming with Vintage Sound Chips	The Computer Games Journal (Online First)	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0068-5	sound chip; archaeology; retrocomputing; history
Hooper	Giles		Sounding the Story: Music in Videogame Cutscenes	In Duncan Williams and Newton Lee (ed.); Emotion in Video Game Soundtracking (Cham: Springer) 115–141	2018	AC		cutscenes; interactivity; emotion; film; play; cut-scenes; cinematics
Hoover	Tom		Keeping Score: Interviews with Today's Top Film; Television and Game Music Composers	Boston: Course Technology	2010	BM		Composition; interviews; Marty O'Donnell; Winifred Phillips; Inon Zur; Cris Velasco; Jesper Kyd; Jason Graves
Hopkins	Christopher		Mario Paint: An Accessible Environment of Musical Creativity and Sound Exploration	Journal of Literature and Art Studies; October 2015; Vol. 5; No. 10; 847-858	2015	AP	http://www.davidpublisher.org/Public/uploads/Contribute/56286de56af46.pdf	music composition; Super NES; SNES; Nintendo; music theory; music production; sound chip
Hopkins	Christopher		Chiptune Music: An Exploration Of Compositional Techniques As Found In Sunsoft Games For The Nintendo Entertainment System And Famicom From 1988-1992	Doctoral Thesis Five Towns College	2015	DD	https://www.academia.edu/15400351/Chiptune_music_An_exploration_of_compositional_techniques_as_found_in_Sunsoft_games_for_the_Nintendo_Entertainment_System_and_Famicom_from_1988-1992	Sunsoft; Chiptune; Nintendo; NES; compositional techniques
Hufschmitt	Aline	Stéphane Cardon; Éric Jacopin	Manipulating Player Performance via Music Tempo in Tetris	CHI PLAY '20: Extended Abstracts of the 2020 Annual Symposium on Computer-Human Interaction in Play; November 2020; 146–152	2020	AS	https://doi.org/10.1145/3383668.3419934	Tetris; flow; synchronization; tempo
Hug	Daniel		New Wine in New Skins: Sketching the Future of Game Sound Design	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 384-415	2011	AC		Technology; development; Hollywood; naturalism; reality; liberation; soundtrack; aesthetics
Hugill	Andrew	Panos Amelides	Audio-only computer games: 'Papa Sangre'	Emmerson; S and Landy; L; eds. Expanding the horizon of electroacoustic music analysis. Cambridge University Press; Cambridge; pp. 355-375.	2016	AC		electroacoustic music; audio games; Papa Sangre
Huiberts	Sander		Captivating Sound	University of Portsmouth	2010	DD	https://octo.hku.nl/octo/repository/getfile?id=zo30jluTQVw	immersion; IZEA; SCI; models
Huiberts	Sander		Listen! – Improving the Cooperation between Game Designers and Audio Designers	Think Design Play: The fifth international conference of the Digital Research Association (DIGRA)	2011	AS		Game design; sound design; audio design; collaboration; creative design practices; design research; multidisciplinarity; education
Huiberts	Sander	Richard van Tol	The Game Pulse -Timing Game Events and Music Events	Proceedings Innovation In Music 2013	2013	AS		nonlinearity; timing; synchronization; adaptive music; dynamic music
Huiberts	Sander	Richard van Tol; Kees Went	Game Audio Lab - An Architetural Framework for Nonlinear Audio in Games	ES 35th International Conference; London; UK; 2009 February 11–13	2009	AS		experimentation; design; nonlinear audio
Hulme	Zander		Killing-off the Crossfade: Achieving Seamless Transitions With Imbricate Audio	Game: The Italian Journal of Game Studies 6/2	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_CriticalNotes_Hulme.pdf	Adaptive Audio; Composing; Game Music; Immersion; Recorded Music; Pre-rendered Audio; Music Systems
Hutchings	Patrick Edward	Jon McCormack	Adaptive Music Composition for Games	IEEE Transactions on Games; vol. 12; no. 3; pp. 270-280; Sept. 2020	2020	AS	https://ieeexplore.ieee.org/abstract/document/8735930	Adaptation models; Adaptive systems; Context modeling; Computational modeling; neural networks
Iantorno	Michael		GameSound; Quantitative Games Analysis; and the Digital Humanities	Digital Studies/le Champ Numérique; 10(1); 2.	2020	AP	https://www.digitalstudies.org/articles/10.16995/dscn.319/#	digital humanities; quantitative research; databases
Ivănescu	Andra		Torched song: The hyperreal and the music of L.A. Noire	The Soundtrack 8/1-2	2015	AP		semiotics; hyperreal; narrative; preexisting music; L.A. Noire; popular music
Ivănescu	Andra		Popular Music in the Nostalgia Video Game: The Way it Never Sounded	Cham: Palgrave Macmillan	2019	BM	https://www.palgrave.com/gp/book/9783030042806	nostalgia; popular music; Bioshock; Fallout; Gone Home; Evoland; remediation; film; semiotics; anachronism
Ivănescu	Andra		The Music of Tomorrow; Yesterday! Music; Time and Technology in BioShock Infinite	Networking Knowledge: Journal of the MeCCSA Postgraduate Network 7/2	2014	AP	http://www.ojs.meccsa.org.uk/index.php/netknow/article/view/337/168	intertextuality; time travel; nostalgia; covers; anachronism; world building
Ivănescu	Andra		Beneath a Steel Sky: A Musical Characterisation of Class Structure	The Computer Games Journal (Online First)	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0067-6	Beneath a Steel Sky; semiotics; social class; environmental storytelling
Ivănescu	Andra		A Response to Jennifer Smith	Journal of Sound and Music in Games 1/2; 88	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/88/106832/A-Response-to-Jennifer-Smith	Andra Ivănescu; Jennifer Smith; nostalgia; retro
Ivănescu	Andra		Pop Music; Economics and Marketing	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 395-408	2021	AC		Wipeout; Guitar Hero; record labels; Grand Theft Auto; trailers; paratextuality; transmediality; synergy; esports; League of Legends
Jacobus	Enoch		Choose Your Own Audio-venture: Soundtrack Choices in Beat Hazard Ultra (2011)	Musicology Research Journal 3	2017	AP	https://www.musicologyresearch.co.uk/publications/enochjacobus-chooseyourownaudioventuresoundtrack	mobile; agency; interactive audio; adaptive audio; co-operative audio; ludus; paidia; paidoludic; engagement; immersion; virtual environment
Jacobus	Enoch		Choose your Own Audio-venture: Soundtrack Choices in Beat Hazard Ultra (2011)	Musicology Research 3	2017	AP	https://www.musicologyresearch.co.uk/publications/enochjacobus-chooseyourownaudioventuresoundtrack	music game; presence; affect; play; ludus; paidia
Javet	David		La figure du Seiyû: voix et corps dans le paysage médiatique japonais	In Alain Boillat; Irene Weber Henking (eds.) DUBBING. Die Übersetzung im Kino / La traduction audiovisuelle (Marburg: Schüren) 201-222	2014	AC	https://t.co/v3DB0W79ni	voice acting; seiyu; Japan; embodiment
Jenson	Jennifer	Suzanne de Castell; Nicholas Taylor; Milena Droumeva; Stephanie Fisher	The Gigue is Up: High Culture Gets Game	DiGRA '09 - Proceedings of the 2009 DiGRA International Conference: Breaking New Ground: Innovation in Games; Play; Practice and Theory	2009	AS		Tafelkids: The Quest for Arundo Donax; Baroque music; music education
Jenson	Jennifer	Suzanne de Castell; Nicholas Taylor; Milena Droumeva	Baroque Baroque revolution: high culture gets game	Future Play '08 Proceedings of the 2008 Conference on Future Play: Research; Play; Share; pp.105-112	2008	AS		teaching; history; children; flash; history; orchestra
Jolly	Kent		Usage of Pd in Spore and Darkspore	PureData Convention	2011	AS	https://www.uni-weimar.de/kunst-und-gestaltung/wiki/images/Usage_of_Pd_in_Spore_and_Darkspore.pdf	Spore; Procedural Music; Pure Data; EA; generative music
Jørgensen	Kristine		"What are these Grunts and Growls over there?" Computer Game Audio and Player Action	Copenhagen University	2007	DD		film music; ecology; perception; interviews; diegesis; transdiegesis
Jørgensen	Kristine		Audio and Gameplay: An Analysis of PvP Battlegrounds in World of Warcraft	Game Studies 8/2	2008	AP		World of Warcraft; earcons; transdiegesis; ecology; function
Jørgensen	Kristine		Left in the dark: playing computer games with the sound turned off	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 163-176	2008	AC		sound; information; Warcraft III; psychology; sound off; information; Hitman Contracts; stealth; strategy; player responses; empirical; information; orientation; space; virtual world
Jørgensen	Kristine		Time for New Terminology? Diegetic and Non-Diegetic Sounds in Computer Games Revisited	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 78-97	2011	AC		Diegesis; non-diegetic; diegetic; fictionality; terminology; spatial; space; gameworlds
Jørgensen	Kristine		On the Functional Aspects of Computer Game Audio	In Proceedings of the Audio Mostly Conference. Interactive Institute; Piteå; Sweden	2006	AS		space; transdiegesis; function; earcons;
Jørgensen	Kristine		A Comprehensive Study of Sound in Computer Games: How Audio Affects Player Action	Lewiston; NY: Mellen	2009	BM		perception; Warcraft III; Hitman Contracts; history; film music; diegesis; earcons; semiotics; transdiegesis;
Jørgensen	Kristine		On Transdiegetic Sounds in Computer Games	Northern Lights Vol. 5: Digital Aesthetics and Communication	2007	AP		transdiegesis; diegesis; extradiegesis; meta-communication; film music
Jørgensen	Kristine		Sounds and Sources in Sacred	Proceedings from Cosign 2004. Split; Croatia	2004	AS		function; semiotics; Fencott; Sacred; Chion; perception
Jørgensen	Kristine		Emphatic and Ecological Sounds in Gameworld Interfaces	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 72-84	2017	AC		ecology; interactivity; diegesis; worlds; icons; earcons; sounds; dynamic
Jünger	Ellen		When Music comes into Play - Überlegungen zur Bedeutung von Musik in Computerspielen	In Michael Mosel (Ed.): Gefangen im Flow? Ästhetik und dispositive Strukturen von Computerspielen. Boizenburg: Verlag Werner Hülsbusch, p. 13–28.	2009	AC		dynamic music; genre; function; ludic music; semiotics
Kaae	Jesper		Theoretical approaches to composing dynamic music for video games	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 75-92	2008	AC		dynamic music; changes; mixing; segue; linearity; adaptive music; multi-linearity; time
Kagan	Bradley		Slave to the Rhythm: Examining Immersive Experiences Through the Interplay of Music and Gameplay in Crypt Of The Necrodancer	IJSIM : International Journal on Stereo & Immersive Media 4/1	2020	AP	https://recil.grupolusofona.pt/handle/10437/11640	Crypt of the Necrodancer; rhythm; transportation; immersion; ALI
Kamp	Michiel		Suture and Peritexts: Music Beyond Gameplay and Diegesis	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		paratext; peritext; suture; semiotics; Super Mario Bros.; Braid; Super Meat Boy; Max Payne; Battlefield 1942
Kamp	Michiel		Musical Ecologies in Video Games	Philosophy & Technology 27/2; 235-49	2014	AP		perception; James Gibson; ecological psychology; affordances; diegesis
Kamp	Michiel		Four Ways of Hearing Video Game Music	University of Cambridge	2014	DD		phenomenology; listening; ludic music; background music; ecological psychology; aesthetics
Kamp	Michiel		Ludic music in video games	Utrecht University	2009	DM (M)	http://dspace.library.uu.nl/bitstream/handle/1874/179576/Kamp;%20Michiel%20-%20MA%20Thesis.pdf?sequence=1	ludic music; Juul; narrative; function; puzzles; music games; Caillois; fiction; rules
Kamp	Michiel		Ludomusical Dissonance in Diablo III	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 131-145	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	RPG; ludo-narrative dissonance; Diablo III; semiotics; genre
Kamp	Michiel	Mark Sweeney	Musical Landscapes in Skyrim	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 179-196	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	RPG; Elder Scrolls; Skyrim; aesthetics; nature; klangflache; ambient music; soundscape
Kamp	Michiel		Playing Along to What? Video Game Music and the Metaphor Model	In Ananay Aguilar; Ross Cole; Matthew Pritchard; Eric Clarke (eds.); Remixing Music Studies: Essays in Honour of Nicholas Cook; 32-46	2020	AC	https://www.routledge.com/Remixing-Music-Studies-Essays-in-Honour-of-Nicholas-Cook/Aguilar-Cole-Pritchard-Clarke/p/book/9781138359925	Super Mario Bros.; conceptual metaphors; Andrew Schartmann; Analysing Musical Multimedia; ludic music; kinesonic congruence; synchresis; synchronization
Kamp	Michiel		Old(er) Media and New Musical Affordances in Virtual Reality Experiences	In Carlo Cenciarelli (ed.); The Oxford Handbook of Cinematic Listening (New York: Oxford University Press); 712-736	2021	AC		VR; virtuality; affordances; diegesis; ecological psychology; Google Earth VR; remediation
Kamp	Michiel		Autoethnography; Phenomenology and Hermeneutics	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 159-175	2021	AC		Bastion; listening; hearing; interpretation; interactivity; gameplay; communication; Edmund Husserl; Plants vs Zombies
Kanamori	Shinya	Ryo Yoneda; Masashi Yamada	Congruency Between Music and Motion Pictures in the Context of Video Games: Effects of Emotional Features in Music	Proceedings of the 12th International Conference on Music Perception and Cognition of the European Society for the Cognitive Sciences of Music; July 23-28; 2012; Thessaloniki; Greece	2012	AS	http://icmpc-escom2012.web.auth.gr/files/papers/505_Proc.pdf	psychology; congruency; experiment; pleasantness; excitation; semantic differential scales
Kaneda	Miki		Rhythm Heaven: Video Games; Idols; and Other Experiences of Play	In Sumanth Gopinath; Jason Stanyek (eds.) The Oxford Handbook of Mobile Music Studies; Vol. 2 (Oxford Oxford University Press)	2014	AC		rhythm game; Rhythm Heaven; Game Boy Advance; racialized ideology; Japanese bodies; moving onscreen objects
Kärjä	Antti-Ville		Marketing music through computer games: the case of Poets of the Fall and Max Payne 2	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 27-44	2008	AC		marketing; copyright; production; licensed music; authenticity; global; local; Max Payne 2; Poets of the Fall
Kassabian	Anahid		Ubiquitous listening	In David Hesmondhalgh and Keith Negus (eds); Popular Music Studies (London: Arnold); 131-142.	2002	AC		music technological cultures; modes of listening; subjectivity; technology
Kassabian	Anahid		The End of Diegesis As We Know It?	In John Richardson; Claudia Gorbman; Carol Vernallis (eds.); The Oxford Handbook of New Audiovisual Aesthetics (Oxford: Oxford University Press)	2013	AC		diegetic; nondiegetic; web sites; apps; new media
Kassabian	Anahid	Freya Jarman	Game and Play in Music Video Games	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		music games; rhythm games; Caillois; mobile phones; Tap Tap Revenge; ludology
Kassabian	Anahid	Roger Moseley et al.	Roundtable: Current Perspectives on Music; Sound; and Narrative in Screen Media	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 108-124	2017	AC		narrative; film music; interfaces; VR; ludic challenge
Kayali	Fares		Gestural Interaction in Music Video Games	Digital Games: Theory and Design: conference at Brunel University; London; Great Britain; 09/14/07	2008	AS	http://igw.tuwien.ac.at/fares/Fares_Kayali/publications/Entries/2007/9/14_Gestural_Interaction_in_Music_Video_Games_files/KayaliGesturalInteraction.pdf	music games; Guitar Hero; Electroplankton; perception; tangible interfaces
Kayali	Fares	Martin Pichlmair; Petr Kotik	Mobile Tangible Interfaces as Gestural Instruments	5th International Music Workshop 2008; Vienna; Austria; 05/13/08-05/16/08	2008	AS	https://igw.tuwien.ac.at/fares/Fares_Kayali/publications/Entries/2008/2/20_Mobile_Tangible_Interfaces_as_Gestural_Instruments_files/GesturalInstruments.pdf	tangible interfaces; perception; music games; game design;
Kayali	Fares	Vera Schwarz; Gerit Götzenbrucker; Jürgen Pfeiffer; Barbara Franz; Peter Purgathofer	Serious Beats: Transdisciplinary research methodologies for designing and evaluating a socially integrative serious music-based online game	DiGRA '11 - Proceedings of the 2011 DiGRA International Conference: Think Design Play	2011	AS		music games; design; social integration; migrants
Kayali	Fares		Playing Music: Design; Theory; and Practice of Music-based Games	Vienna University of Technology	2008	DD		music games; game design; interviews; Otocky; Parappa the Rapper; Sim Tunes; Vib Ribbon; FreQuency; Rez; Guitar Hero; Electroplankton; Elite Beat Agents; Nintendo DS; interface; kinaesthesia;
Keeler; Jr.	Kevin R.		Video Games in Music Education: The Impact of Video Games on Rhythmic Performance	Visions of Research in Music Education 37; 1-20	2020	AP	http://www-usr.rider.edu/~vrme/v37n1/visions/3708S-Keeler.pdf	music education; flow; virtual reality; rhythmic achievement; Beat Saber; Guitar Hero; rhythm games
Keesing	Aaron	Matthew Ooi; Ocean Wu; Xinghao Ye; Lindsay Shaw; Burkhard C. Wünsche	HIIT With Hits: Using Music and Gameplay to Induce HIIT in Exergames	ACSW 2019 Proceedings of the Australasian Computer Science Week Multiconference	2019	AS	https://dl.acm.org/citation.cfm?id=3290740	exercise; sports; HIIT; virtual reality; health; exergame; psychology
Kerins	Mark		Multichannel Gaming and the Aesthetics of Interactive Surround	In John Richardson; Claudia Gorbman; Carol Vernallis (eds.); The Oxford Handbook of New Audiovisual Aesthetics (Oxford: Oxford University Press)	2013	AC		surround sound; multichannel sound; interactivity; immersion; genre; platform games; third-person; first-person; rhythm games
Kirby	Philip		Musical orientation in virtual space: videogame score and the spatiality of musical style and topic	Social and Cultural Geography;	2020	AP	10.1080/14649365.2020.1821392	Musical geographies; digital geographies; non-representational theory; space; topic
Kirchberg	Irina		De la manette à la baguette. Les publics des concerts symphoniques de musique de jeu vidéo	In Stéphane Dorin (ed.); Déchiffrer les publics de la musique classique. Perspectives comparatives; historiques et sociologiques; Paris: Archives contemporaines; 309-324	2018	AC		games in concert; audiences; orchestras
Kirchberg	Irina		Ethnographier l’écoute à l’ère du numérique. D’une étude sur les amateurs de musique de jeux-vidéo à l’analyse des ‟carrières d’auditeurs”	Philippe Le Guern (ed.); En quête de musique: questions de méthode à l'ère de la numérimorphose (Paris: Hermann)	2017	AC
Kirke	Alexis		When the Soundtrack is the Game: From Audio-Games to Gaming the Music	In Duncan Williams and Newton Lee (ed.); Emotion in Video Game Soundtracking (Cham: Springer); 65-83	2018	AC		Minecraft; audio games; music games; audiogames; musicality
Kizzire	Jessica		"The Place I'll Return to Someday": Musical Nostalgia in Final Fantasy IX	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Final Fantasy; nostalgia; 8-bit; analysis; Baroque music; Renaissance music
Knight	Tim		Mastering Sound and Music on the Atari ST	Berkeley; CA: Sybex	1987	BM		Atari ST; sound design; composition; 8-bit; technology;
Knoblauch	William		SIMON: The Prelude to Modern Music Video Games	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		SIMON; hand-held; Hasbro; history; arcade games
Kohler	Chris		Power-Up: How Japanese Video Games Gave the World an Extra Life	Indianapolis: Bradygames	2005	BM		history; Japan; interviews; final fantasy; cinematic aesthetic
Kolassa	Alexander		Hail the nightmare: Music; sound and materiality in Bloodborne	The Soundtrack 11/1-2; 23-38	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	Bloodborne; gothic; weird; film music; horror; modernism; tropes; sound design
Krishnaswami	Ravi		Playing Songwriter: Creating Songs for the Fictional Worlds of Video Games	Journal of Sound and Music in Games 1/2; 68-83	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/68/106830/Playing-SongwriterCreating-Songs-for-the-Fictional	ludomusicology; auto-ethnography; game studies; diegetic music
Kudisch	Erica		Selected annotated bibliography	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 189-194	2008	AC		Academic; scholarship; bibliography; publications; resources; articles; books
Lafont	Augustin		Le son dans les jeux vidéo: du niveau du jeu ou niveau du joueur	Université Paris-Est Marne-La-Vallée	2018	DM (M)		sound; level-design
Lamb	Brendan	Barnabas Smith	From Skyrim to Skellige: Fantasy Video Game Music Within a Neo-Mediaevalist Paradigm	Musicology Australia 40/2	2019	AP		fantasy; environment; gameworld; folk; medieval; history; RPG; Witcher; Skyrim; Elder Scrolls
Langhorst	Tom		The Unanswered Question of Musical Meaning: A Cross-domain Approach	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		music cognition; musical meaning; sound design; interaction design; tonality; arcade games; user interface
Langhorst	Tom		The Sound of a Serve Toss: An Informational View on the Gameworld Interface as Sonic Interface Design	Game: The Italian Journal of Game Studies 6/2	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_CriticalNotes_Langhorst.pdf	Game Sound Design; Sonic Interface Design; Informational Spaces; Music Cognition; Semiotics; Persuasive Design
Lanham	Micheal		Game Audio Development with Unity 5.X	Birmingham: Pakt Publishing	2017	BM		adaptive; middleware; implementation
Lansley	Alastair	Peter Vamplew; Cameron Foale; Philip Smith	SoniFight: Software to Provide Additional Sonification Cues to Video Games for Visually Impaired Players	The Computer Games Journal 7/2; 115-130	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0059-6	sonification; sonify; audio cues; visual impairment; accessibility; blind; audio game
Laroche	Guillaume		Analyzing Musical Mario-media: Variations in the Music of Super Mario Video Games	McGill University	2012	DM (M)	digitool.library.mcgill.ca/thesisfile107638.pdf	Super Mario Bros.; Super Mario World; Super Mario 64; Super Mario Sunshine; analysis; themes
Lavengood	Megan		Timbre; Genre; and Polystylism in Sonic the Hedgehog 3	In Nick Braae and Kai Arne Hansen (eds.); On Popular Music and its Unruly Entanglements (London: Palgrave-Macmillan); 209-234	2019	AC		Sonic the Hedgehog 3; popular music; genre; semiotics; timbre; intertextuality
Le Prado	Cécile		Ecritures sonores: entre déterminisme; émergence et interactivité	Conservatoire National des Arts et Métier	2013	DD	http://www.sudoc.fr/181846756	interaction; acoustic setup; emergence
Lefford	Nyssim		The Generative Process; Music Composition and Games	Leonardo 40(2) 129-35	2007	AP		generative games; music games; composition; game design
Lehman	Frank		Methods and Challenges of Analyzing Screen Media	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 497-516	2017	AC		analyzing; approaches; modularity; film music; Portal; theory; Neo-Riemannian; Schenker; Portal 2; Michael Morasky
Lendino	James		Scoring for the Modern Computer Game	Proceedings of the International Computer Music Conference. San Francisco: International Computer Music Association	1998	AS		composition; dynamic music; technology; middleware; aesthetics;
Lerner	Neil		The Origins of Musical Style In Video Games; 1977–1983	In David Neumeyer (ed.); The Oxford Handbook of Film Music Studies (Oxford: Oxford University Press)	2013	AC		silent film; wall-to-wall music; history; musical score; film music; Space Invaders; Donkey Kong; screen action
Lerner	Neil		Mario’s Dynamic Leaps: Musical Innovations and the Specter of Early Cinema in Donkey Kong and Super Mario Bros	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Donkey Kong; Super Mario Bros.; silent film; early cinema; history; mickey-mousing
Lesser	Andrew		Video Game Technology and Learning in the Music Classroom	Doctoral Thesis Columbia University	2019	DD	https://academiccommons.columbia.edu/doi/10.7916/d8-bn7a-y514/download	education; school; teaching; theory; learning
Lesser	Andrew J.		An Investigation of Digital Game-Based Learning Software in the Elementary General Music Classroom	Journal of Sound and Music in Games 1/2; 1-24	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/1/106829/An-Investigation-of-Digital-Game-Based-Learning	digital games; music education; software; technology; video games
Levy	Laura		The Effects of Background Music on Video Game Play Performance; Behavior and Experience in Extraverts and Introverts	Georgia Institute of Technology	2015	DM (M)	https://smartech.gatech.edu/bitstream/handle/1853/54462/LEVY-THESIS-2015.pdf	cognitive performance; flow; behavior; big five; introvert; extravert; background music
Liberman	David		Game Enhanced Music Manuscript	In Stephen Spencer (ed.); Proceedings of the 4th International Conference on Computer Graphics and Interactive Techniques in Australasia and South East Asia (GRAPHITE 2006) (Melbourne: ACM Press); 245-250	2006	AS		game-scores; concerts; performance; composition; art; non-linearity
Liebe	Michael		Interactivity and Music in Computer Games	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Liljedahl	Mats		Sound for Fantasy and Freedom	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 22-43	2011	AC		Physical environment; voices; senses; immersion; GameFlow; Interactive Institute; Sonic Studio; perception; stimuli; game mechanics
Lind	Stephanie		Active Interfaces and Thematic Events in The Legend of Zelda: Ocarina of Time	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Zelda; Nintendo; diegetic; leitmotif; virtual instrument; immersion
Lind	Stephanie		Music as temporal disruption in Assassin’s Creed	The Soundtrack 11/1-2; 57-73	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	Assassin's Creed; disruption; music analysis; soundscape; transcription; hypervisual
Linda	O'Keeffe		Sound is Not a Simulation: Methodologies for Examining the Experience of Soundscapes	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 44-59	2011	AC		Soundscape; immersion; virtual; navigation; urban spaces; noise; space; design
Lipscomb	Scott D.	Sean M. Zehnder	Immersion in the Virtual Environment: The Effect of a Musical Score on the Video Gaming Experience	Journal of Physiological Anthropology and Applied Human Sciences 23/6; 337-343	2004	AP		immersion; film music; cognition; perception; virtual environment
Little	Kyle		Musicianship and Gaming: Investigating Adolsecents' Experiences	Masters Dissertation; University of Wollongong	2013	DM		Guitar Hero; Rock Band; school; syllabus; cultural capital; education
Livingstone	Steven R.	Andrew R. Brown	Dynamic response: real-time adaptation for music emotion	ACM International Conference Proceeding Series. Vol. 123.	2005	AS		adaptive music; emotion; dynamic response
Lomeland	Jon Inge		How Can Interactive Music be Used in Virtual Worlds Like World of Warcraft?	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		interactive music; MMORPG; World of Warcraft; listener fatigue; composition techniques; nostalgia
Lopez Duarte	Alvaro E.		Algorithmic interactive music generation in videogames: A modular design for adaptive automatic music scoring	Sound Effects 9/1	2020	AP	https://doi.org/10.7146/se.v9i1.118245	composition; algorithmic music; generative music; dynamic music; Wwise
Lopez Duarte	Alvaro		Algorithmic interactive music generation in videogames	SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience; 9(1); 38-59.	2020	AP	https://doi.org/10.7146/se.v9i1.118245	Narrative; algorithmic music; dynamic music; Wwise; Markov models; AI
López Ibáñez	Manuel	Nahum Álvarez; Frederico Peinado	Towards and Emotion-Driven Adaptive System for Video Game Music	International Conference on Advances in Computer Entertainment	2017	AS		dynamic music; affective computing; procedural music; interactive storytelling
Lujan	Daniel		Personifying Dynamic Video Game Music Through Live Performance: A Rescoring of RiME	Baylor University	2020	DM (M)	https://baylor-ir.tdl.org/handle/2104/10996	performance; composition; puzzle games; dynamic music; RiME
Machin	David	Theo van Leeuwen	Sound; music and gender in mobile games	Gender and Language 10/3	2016	AP	https://journals.equinoxpub.com/GL/article/viewArticle/32039	Semiotics; value; positioning; Genie Palace Divine; Dragon Island Race
Maenhout	John		Sonic Representations of Categorical Difference in Diegetic Video Game Music	MA Dissertation; The University of North Carolina at Chapel Hill	2018	DM		Communication and the arts; Education; Fire Emblem; Gender; Music pedagogy; Race; Sexuality; Video games
Marcos	Germán Ruiz		An investigation on the automatic generation of music and its application into video games	8th International Conference on Affective Computing and Intelligent Interaction Workshops and Demos (ACIIW); Cambridge; United Kingdom; 2019	2019	AS	https://ieeexplore.ieee.org/abstract/document/8925275	Generators; Harmonic analysis; Real-time systems; Analytical models; Hidden Markov models; generative music; algorithmic music
Marks	Aaron		The Complete Guide to Game Audio for Composers; Musicians; Sound Designers; and Game Developers 2nd Ed	Burlington; MA and Oxford: Focal Press	2009	BM		composition; sound design; how-to
Marks	Aaron	Jeannie Novak	Game Development Essentials: Game Audio Development	New York: Delmar	2009	BM		composition; sound design; how-to
Marshall	Wayne		Social Dance in the Age of (Anti-)Social Media: Fortnite; Online Video; and the Jook at a Virtual Crossroads	Journal of Popular Music Studies 31/4; 3-15	2019	AP	https://jpms-ucpress-edu/content/31/4/3	Fortnite; dance; social media; youth culture; patriarchy
Martello	Anthony		8-Bit Heroes: A Look into the Development and Presence of Early Video Game Music in Popular Culture	Wesleyan University	2010	DM (U)	http://wesscholar.wesleyan.edu/cgi/viewcontent.cgi?article=1393&context=etd_hon_theses	8-bit; popular music; Super Mario Bros.
McAlpine	Kenneth		The sound of 1-bit: Technical constraint as a driver for musical creativity on the Sinclair ZX Spectrum	GAME 6: Hear the Music; Play the Game. Music and Game Design: Interplays and Perspectives	2016	AP
McAlpine	Kenneth		All Aboard the Impulse Train: An Analysis of the Two Channel Music Routine in Manic Miner	The Computer Games Journal 4/3	2015	AP		1-bit music; ZX spectrum; chiptune; binary impulse train analysis
McAlpine	Kenneth		Shake and Create Reappropriating Video Game Technologies for the Enactive Learning of Music	In Serious Games and Edutainment Applications; Volume II. Minhua Ma; Andreas Oikonomou (eds.). Cham: Springer	2017	AC		enactive learning; gestural control; hacking; music education; KIDI; MIDI interfaces
McAlpine	Kenneth		Bits and Pieces: A History of Chiptunes	New York: Oxford University Press	2018	BM		chiptune; NES; Game Boy; Rob Hubbard; Nintendo; Atari; Commodore; 8-bit
McAlpine	Kenneth		A Response to Peter Smucker	Journal of Sound and Music in Games 1/1; 124	2020	AP		Nintendo; Peter Smucker; Kenneth McAlpine; Sega
McAlpine	Kenny		Press Play on Tape: 8-Bit Composition on the Commodore 64	In Innovation in Music: Performance; Production; Technology; and Business; edited by Russ Hepworth-Sawyer; Jay Hodgson; Justin Paterson; and Rob Toulson; 37–51 New York; London: Routledge.	2019	AC		chiptune; Commodore 64; 8-bit music; composition
McAlpine	Kenneth B.		Chiptune; Ownership and the Digital Underground	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 33-51	2021	AC		lo-fi; demoscene; cracktro; piracy; warez; PSG; copy protection; hackers; Mark Knight; Ben Daglish
McKittrick	Megan		Scott Pilgrim vs. The Veteran Gamer: The Canonization and Commodification of Nostalgia in Anamanaguchi’s 8-bit Video Game Soundtrack	Reconstruction: Studies in Contemporary Culture 14; no. 1	2014	AP	http://reconstruction.eserver.org/Issues/141/McKittrick.shtml	Scott Pilgrim vs. The World; Anamanaguchi; chiptune; 8-bit; postmodernism; nostalgia aesthetic
McSweeney	Anthony		Rob Hubbard's Music: Disassembled; Commented and Explained	C=Hacking	1993	AP	http://ffd2.com/fridge/chacking/c=hacking5.txt	Rob Hubbard; sound chip; hacking; Commodore 64
Medina-Gray	Elizabeth		Meaningful Modular Combinations: Simultaneous Harp and Environmental Music in Two Legend of Zelda Games	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		transitions; analysis; The Legend of Zelda; instruments; smoothness
Medina-Gray	Elizabeth		Modularity in Video Game Music	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		analysis; avant-garde; indeterminacy; John Cage; Pierre Boulez
Medina-Gray	Elizabeth		Modular Structure and Function in Early 21st-Century Video Game Music	Yale University	2014	DD		modularity; structure; transitions; loops; Flower; earcons; indeterminate music; smoothness
Medina-Gray	Elizabeth		Musical Dreams and Nightmares: An Analysis of Flower	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 562-576	2017	AC		Modularity; interactivity; smoothness; disjunction; analysis; theory; generative; procedural; Vincent Diamante
Medina-Gray	Elizabeth		Analyzing Modular Smoothness in Video Game Music	Music Theory Online 25/3	2019	AP	https://www.mtosmt.org/issues/mto.19.25.3/mto.19.25.3.medina.gray.html	modular music; smoothness; probability; The Legend of Zelda: The Wind Waker; Portal 2; modularity; dynamic music
Medina-Gray	Elizabeth		Interacting with Soundscapes: Music; Sound Effects; and Dialogue in Video Games	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 176-192	2021	AC		earcon; auditory icon; Dragon Quest; Dragon Warrior; Super Mario Galaxy; voice; text; sfx; kinesonic synchresis; soundscape; musicality; musical sound
Melendez	Elisa		For Those About to Rock: Gender Codes in the Rock Music Video Games Rock Band and Rocksmith	Doctoral Dissertation; Florida International University	2018	DD		feminism; gender; ethnography; autoethnography; inclusivity; sexuality
Meneguette	Lucas Correia		A afinação do mundo virtual: identidade sonora em jogos digitais	University of São Paolo	2016	DD		audio; world building; sound palette; ludofunctional characterization; acoustic ecology
Mera	Miguel		Invention/Re-invention	Music; Sound and the Moving Image 3/1; 1-20	2009	AP		intertextuality; film; cross-mediality; film music; Tomb Raider; Second Life
Mera	Miguel		An Interview with James Hannigan	Music; Sound and the Moving Image 3/1; 99-115	2009	AP		composer interview; film music; Harry Potter; leitmotif; dynamic music; composition; technology;
Mercer	Andrew		Game Play to Music Play - Video Games in the Music Room	The Canadian Music Educator; Edmonton Vol. 50; Iss. 3; 45.	2009	AP		classroom; education
Meyer	Charles		Du mutisme au dialogue; les interactions vocales dans les jeux vidéo	Ecole nationale supérieure Louis Lumière	2015	DM (M)	http://www.omnsh.org/sites/default/files/du_mutisme_au_dialogue_-_charles_meyer_-_2015.pdf	gameplay; vocal writing; vocal recognition; spectral analysis; narration; immersion
Michelmore	Guy		Building Relationships: The Process of Creating Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 64-73	2021	AC		composing; implementation; dynamic music; adaptive music; budget; recording; structure; loops; stems; interactivity
Millar	Stephen	Martin J. Power; Paul Widdop; Daniel Parnell; James Carr	Football and Popular Culture: Singing Out from the Stands	London and New York: Routledge	2021	BC	https://www.routledge.com/Football-and-Popular-Culture-Singing-Out-from-the-Stands/Millar-Power-Widdop-Parnell-Carr/p/book/9780367433505	football; songs; chants; popular culture
Miller	Kiri		Jacking the Dial: Radio; Race; and Place in "Grand Theft Auto"	Ethnomusicology 51/3; 402-438	2007	AP		Grand Theft Auto; culture; radio; licensed music; ethnography; place; hip-hop; rap; avatar; player choice; survey; empirical
Miller	Kiri		The Accidental Carjack: Ethnography; Gameworld Tourism; and Grand Theft Auto	Game Studies 8/1	2008	AP		Grand Theft Auto; culture; radio; licensed music; ethnography; place; time; history; hip-hop; rap; avatar; player choice; survey; empirical
Miller	Kiri		Virtual and Visceral Experience in Music-Oriented Video Games	In Carol Vernallis; Amy Herzog; John Richardson (ed.); The Oxford Handbook of Sound and Image in Digital Media (Oxford: Oxford University Press)	2013	AC		Guitar Hero; Rock Band; DJ Hero; performance; immersion; game; instrument; guitar; DJ; virtual; ethnomusicology
Miller	Kiri		Multisensory Musicality in Dance Central	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		rhythm game; Dance Central; dance; multisensory; interactivity; participatory culture; interface; ethnomusicology; sound studies
Miller	Kiri		Grove Street Grimm: Grand Theft Auto and Digital Folklore	Journal of American Folklore 121/481; 255-285	2008	AP		ethnography; Grand Theft Auto; performance practice; licensed music; hip-hop; empirical; folklore;
Miller	Kiri		Schizophonic Performance: Guitar Hero; Rock Band; and Virtual Virtuosity	Journal of the Society for American Music 3/4; 395-429	2009	AP		survey; response; Guitar Hero; performance; music games; authenticity; realism;
Miller	Ben		Music Learning through Video Games and Apps: Guitar Hero; Rock Band; Amplitude; Frequency; and Rocksmith; and Bandfuse ; and Bit.Trip Complete; and Audiosurf; and Beat Hazard; and Biophilia (review)	American Music 31/4; 511-514	2013	AP		education; teaching; theory; apps; composition
Miller	Kiri		Playing along: Digital games; YouTube; and virtual performance	New York: Oxford University Press	2012	BM		Grand Theft Auto; music games; performance; Guitar Hero; ethnomusicology
Miller	Kiri		Playable Bodies: Dance Games and Intimate Media	New York: Oxford University Press	2017	BM		gender; performance; play; music games; just dance; dance central
Mitchell	Helen		Let’s Mix it Up: Interviews Exploring the Practical and Technical Challenges of Interactive Mixing in Games	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		mixing; interactive; dynamic; sound effects; Foley; real-time integration
Mitchell	Helen		Plug-In to Fear: Game Biosensors and Negative Physiological Responses to Music	Music and the Moving Image 8/1	2015	AP		biosensors; horror; EEG; brain computer interfaces
Mitchell	Helen R.		Fear and the musical avant-garde in games: interviews with Jason Graves; Garry Schyman; Paul Gorman and Michael Kamper	Horror Studies 5/1; 127-144	2014	AP		cinema; film; horror; gore; psychological effects; boredom; fear; emotions
Morin-Simard	Andréane		L'interférence musicale au cinéma; à la télévision et dans le jeu vidéo	Université de montréal	2014	DM (M)	https://papyrus.bib.umontreal.ca/xmlui/bitstream/handle/1866/11628/Morin-Simard_Andreane_2014_memoire.pdf?sequence=4	intertextuality; interference; popular song; cinema; television
Morin-Simard	Andréane		Gamers (Don't) Fear the Reaper: Musical Intertextuality and Interference in Video Games	Contemporary Research on Intertextuality in Video Games; ed. Christophe Duret and Christian-Marie Pons (IGI Global); 71-91	2016	AC		songs; Blue Öyster Cult; Ripper; Prey; Roadkill; pop music; rock; recontextualization
Morisset	Antoine		Ludomusicologie: Origines et Méthodes	Université de Poitiers	2018	DM (M)		methodology; history of ludomusicology
Morris	Jeremy		App Music	In Sheila Whiteley and Shara Rambarran (eds.); The Oxford Handbook of Music and Virtuality (Oxford: Oxford University Press)	2016	AC		apps; Biophilia; Bjork; Lady Gaga; commodity; enhanced CDs; interactivity; CD-ROMs; cultural goods
Moseley	Roger	Aya Saiki	Nintendo's Art of Musical Play	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Nintendo; Wii Music; Game & Watch; music games; instruments; interfaces
Moseley	Roger		Playing games with music; and vice versa: performance and recreation in Guitar Hero and Rock Band	In Nicholas Cook and Richard Pettengill (eds.); Taking It to the Bridge: Music as Performance. Ann Arbor: University of Michigan Press	2013	AC		Guitar Hero; Rock Band; music games; performance; Caillois; ludus; paidia; virtuosity
Moseley	Roger		Keys to Play: Music as a Ludic Medium from Apollo to Nintendo	Berkeley: University of California Press	2016	BM	https://www.luminosoa.org/site/books/10.1525/luminos.16/	keyboard; play; interfaces; ludus; paidia; interactivity; musicology; history; Nintendo; musicology; myth; piano; Mario
Mouraviev	Ivan		The Synchretic Network: Linking Music; Narrative; and Emotion in the Video Game Journey	Nota Bene 10/1; 64-80	2017	AP	https://ojs.lib.uwo.ca/index.php/notabene/article/view/6613	digital art; Michel Chion; Jochen Kleres; Dominic Lopes; synchresis; narrative; emotion;
Mullan	Eoin		Physical Modelling for Sound Synthesis	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 340-360	2011	AC		Synthesis; technology; realism; procedural audio; physical modelling; run time; intuitive; virtual world; interaction; environments; perception; physics
Munday	Rod		Music in Video Games	In Jamie Sexton (ed.); Music; Sound and Multimedia: From the Live to the Virtual (Edinburgh: Edinburgh University Press); 51-67	2007	AC		immersion; diegesis; environment; cognitive immersion; mythic immersion
Mundhenke	Florian		Resourceful Frames and Sensory Functions - Musical Transformations from Game to Film in Silent Hill	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Mungan	Remzi Yagiz		Performing video games: Approaching games as musical instruments	MFA Dissertation Purdue University;	2013	DM		flow; performance; instruments; interface; installation
Murphy	David	Flaithrí Neff	Spatial Sound for Computer Games and Virtual Reality	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 287-312	2011	AC		Spatial sound; virtual reality; synthetic environments; mutli-modal spaces; future trends; technology; head related transfer function; implementation; virtual scene
Mussies	Martine		A Ludomusicologist Goes to the Museum: A Review of Videogames: Design/Play/Disrupt at the Victoria and Albert Museum	Journal of Sound and Music in Games 1/1; 125-132	2020	AP		Exhibition; museum; Victoria and Albert Museum; V&A Museum; curation; canon; expo; game design; game culture
Nacke	Lennart	Mark Grimshaw; Craig A. Lindley	More than a feeling: Measurement of sonic user experience and psychophysiology in a first-person shooter game	Interacting with Computers; 22/5; 336-343	2010	AP		empirical; experiment; cognitive; psychophysiology; EMG; EDA; GEQ; user experience; Half-Life 2;
Nacke	Lennart	Mark Grimshaw	Player-Game Interaction Through Affective Sound	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 264-285	2011	AC		Affective activity; aesthetics; sound; emotions; empirical; physiological; psychological; interaction; experience; psychophysiological
Naxer	Meghan		A Hidden Harmony: Music Theory Pedagogy and Role-Playing Games	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 146-158	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	self-determination theory; SDT; education; classroom; learning; engagement; gamification; skill; failure; syllabus; course; difficulty; choice
Newcomb	David		The Fundamentals of the Video Game Music Genre	James Madison University; DMA Thesis	2012	DD		genre; market; atari; companies
Newman	James		The Music of Microswitches: Preserving Videogame Sound—A Proposal	The Computer Games Journal (Online First)	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0065-8	preservation; archiving; microswitches
Newman	James		Driving the SID chip: Assembly Language; Composition; and Sound Design for the C64	Game: The Italian Journal of Game Studies 6/1	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_Journal_Newman.pdf	Commodore; SID chip; driver affordance; design potential: Rob Hubbard; Martin Galway
Newman	James		Before Red Book: Early Video Game Music and Technology	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 12-32	2021	AC		chiptune; chip music; Rob Hubbard; Atari; Commodore 64 (C64); Nintendo Entertainment System (NES); Amiga; Koji Kondo; Junko Ozawa; aesthetics
North	Adrian C.	David J. Hargreaves	Music and Driving Game Performance	Scandinavian Journal of Psychology 40/4; pp. 285-92	1999	AP	http://onlinelibrary.wiley.com/doi/10.1111/1467-9450.404128/abstract	psychology; experiment; arousal; performance; cognitive processing; Indianapolis 500; racing game
O'Hara	William		Mapping Sound: Play; Performance; and Analysis in Proteus	Journal of Sound and Music in Games 1/3; 35-66	2020	AP		Proteus; modernism; aleatory music; analysis; indie games
Oldenburg	Aaron		Sonic Mechancs: Audio as Gameplay	Game Studies 13/1	2013	AP	http://gamestudies.org/1301/articles/oldenburg_sonic_mechanics	audio; sound art; conceptual art; Proceduralism; experimental; acousmatic; non-cochlear; experimental; artgames; vision-impaired
O'Leary	Jared	Evan Tobias	Sonic Participatory Cultures within; through; and around Video Games	In Roger Mantie and Gareth Dylan Smith (eds.); The Oxford Handbook of Music Making and Leisure (pp. 543-566	2016	AC	https://global.oup.com/academic/product/the-oxford-handbook-of-music-making-and-leisure-9780190244705?cc=us&lang=en&	participatory culture; sonic participation; leisure
O'Leary	Jared		A corpus-assisted discourse analysis of music-related practices discussed within chipmusic.org	Arizona State University	2018	DD	https://search.proquest.com/docview/2154870828	remix; fan; covers; chiptune; education; enterprise
Oliva	Costantino		On the ontological status of musical actions in digital games	The Philosophy of Computer Games Conference; Kraków	2017	AS	http://gamephilosophy.org/wp-content/uploads/confmanuscripts/pcg2017/Oliva%20-%202017%20-%20On%20the%20ontological%20status%20of%20musical%20actions%20in%20digital%20games.pdf	music games; musicking; performance; play; philosophy; ontology; aesthetics
Oliva	Costantino		Taiko no Tatsujin: Musical literacy in the Media Mix	DIGRA '19 - Game; Play and the Emerging Ludo-Mix	2019	AS	https://s3.amazonaws.com/academia.edu.documents/60730271/Oliva__C._-_Taiko_no_Tatsujin-_Musical_literacy_in_the_Media_Mix_-_Digra_201920190928-130677-1g5npxm.pdf?response-content-disposition=inline%3B%20filename%3DTaiko_no_Tatsujin_Musical_Literacy_in_th.pdf&X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Credential=AKIAIWOWYYGZ2Y53UL3A%2F20200202%2Fus-east-1%2Fs3%2Faws4_request&X-Amz-Date=20200202T123909Z&X-Amz-Expires=3600&X-Amz-SignedHeaders=host&X-Amz-Signature=c5719f3425f0709f65a45e4cf8fc4af433f7d2716a8cbd8f8920b98324ad3e98	Literacy; musicking; participation; performance; media mix
Oliva	Costantino		The Musical Ludo Mix of Taiko no Tatsujin	Transactions of the Digital Games Research Association; Vol. 5 No 2 (2021); pp. 131-160	2021	AP	http://todigra.org/index.php/todigra/article/view/118/167	musical literacy; ludo mix; taiko; taiko no tatsujin; japan
O'Meara	Daniel		Rocksmith and the Shaping of Player Experience	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Rocksmith; rock; music education; pedagogy; guitar; music theory
Ozawa	Junko	Lyman Gamberton	Waveform Wizard – An Interview with Composer Junko Ozawa	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 52-58	2021	AC		Namco; Tower of Druaga; Galpus; Galaga 3; sound driver; wavesound generators (WSGs); Haruomi Hosono; album; soundtrack; waveforms
Paine	Garth		Interactivity; where to from here?	Organised Sound 7/3; 295-304	2002	AP	https://www.cambridge.org/core/journals/organised-sound/article/interactivity-where-to-from-here/B6D0216390B1F0FE55111792055EA823	dynamic music systems; sound art; interaction; object-oriented design
Palacin	Baptiste		Le rôle du son dans l'apparition de la peur dans le jeu vidéo	Ecole nationale supérieure Louis Lumière	2013	DM (M)	http://www.expressivegame.com/le-role-du-son-dans-lapparition-de-la-peur-dans-le-jeu-video-2/	empathetic videoludic fear; sound mise-en-scène; learning process
Paney	Andrew		Singing video games may help improve pitch-matching accuracy	Music Education Research 17/1; 48-56	2015	AP		feedback; pitch-matching; video games; independent learning; Karaoke Revolution
Park	Hyeonjin		Melodies of Distant Realms: World Music in the Context of Video Games	Mount Holyoke College	2015	DM (U)	http://hdl.handle.net/10166/3680	world music; sociocultural; ethnography; perception; representation
Park	Hyeonjin		Understanding the Musical Portrayal of the Desert in Video Games	University of Bristol	2016	DM (U)		environment; sociocultural; perception; representation
Park	Hyeonjin		The Difficult; Uncomfortable; and Imperative Conversations Needed in Game Music and Sound Studies	Journal of Sound and Music in Games 1/1; 87-94	2020	AP		intersectionality; representation; diversity; inclusivity
Pasdzierny	Matthias		Geeks on Stage? Inverstigations in the World of (Live) Chipmusic	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Pasinski	Amanda		Possible benefits of playing music video games	Doctoral Dissertation; University of Nevada; Las Vegas	2014	DD		Psychology; Gamers; Music; Musicians; Non-musicians; Rock band; Video games; perception; cognition; skill
Paul	Leonard J.		An introduction to granular synthesis in video games	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 135-149	2008	AC		pure data; Max/MSP; granular synthesis; sound effects; car engines; fades; dialogue; crowd; ambient sound
Paul	Leonard J.		For the Love of Chiptune	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		chiptune; chipmusic; Retro City Rampage; Open ModPlug Tracker; Famitracker; GoatTracker; Commodore 64; Nintendo Entertainment System; Demoscene; Gameboy; MOD Music; trackers
Paul	Leonard J.		Droppin' Science: Video Game Audio Breakdown	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Peñate Domínguez	F.		“Heute gehört uns die Galaxie”: Music and Historical Credibility in Wolfenstein: The New Order’s Nazi Dystopia	Game: The Italian Journal of Game Studies 6/1	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_Journal_PenateDominguez.pdf	ludic-fictional worlds; historical video games; Nazism; myth; video game music; Wolfenstein.
Perez	Matthew		Undertale: A Case Study in Ludomusicology	City University of New York Queens College; 2017	2017	DM (M)	https://www.sssmg.org/wp/repository/undertale-a-case-study-in-ludomusicology/	soundtracks; music composition; musicology; ethics; Undertale
Perron	Bernard	Guillaume Roux-Girard	Entre synchronisation et action: son et violence dans les jeux vidéo d’horreur	In Richard Bégin; Bernard Perron; and Lucie Roy (eds.); Figures de violence (Paris: L'Harmattan); 81-91	2012	AC	http://www.creationsonore.ca/wp-content/uploads/2015/10/articles_bernard-perron_guillaume-roux-girard_entre-synchronisation-et-action.pdf	synchronization; horror; Dead Space; Condemned: Criminal Origins
Phillips	Winifred		A Composer's Guide to Game Music	Cambridge; MA: MIT Press	2014	BM		composition; interactive music; games industry
Pichlmair	Martin	Fares Kayali	Levels of Sound: On the Principles of Interactivity in Music Video Games	DiGRA '07 - Proceedings of the 2007 DiGRA International Conference: Situated Play	2007	AS		music games; design; game mechanics; synaesthesia; performance; rhythm action
Pichlmair	Martin	Fares Kayali	Levels of Sound: On the Principles of Interactivity in Music Video Games	paper at Digital Games Research Association Conference	2007	AS	http://publik.tuwien.ac.at/files/pub-inf_4783.pdf	music games; interactivity; game design; dynamic music; quantisation; synaesthesia; Guitar Hero;
Pichlmair	Martin	Fares Kayali	Playing Music; Playing Games - Simulation vs. Gameplay in Music-based Games	Vienna Games Conference 2008 'Future and Reality of Gaming' (FROG); Vienna; October 17th-19th; 2008	2008	AS	http://igw.tuwien.ac.at/fares/Fares_Kayali/publications/Entries/2008/11/24_Playing_Music;_Playing_Games_-_Simulation_vs._Gameplay_in_Music-based_Games_files/kayali_pichlmair_playingmusic.pdf	music games; interactivity; simulation; performance; Guitar Hero; interface; game design; Huizinga; ludus; paidia
Plank	Dana		Mario Paint Composer and Musical (Re)Play on YouTube	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Mario Paint Composer; YouTube; fandom; participatory culture; nostalgia
Plank	Dana		From Russia with Fun!': Tetris; Korobeiniki and the ludic Soviet	The Soundtrack 8/1-2	2015	AP		Tetris; Cold War; folk song; Korobeiniki; Russia
Plank	Dana		The Penultimate Fantasy: Nobuo Uematsu’s Score for Cleopatra no Ma Takara	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 76-96	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	JRPG; exoticism; Final Fantasy; Dragon Quest; orientalism; occidentalism; colonialism; post-colonial; Egypt; Koichi Sugiyama
Plank	Dana		Bodies in Play: Representations of Disability in 8- and 16-bit Video Game Soundscapes	Doctoral Thesis; Ohio State University	2018	DD	http://rave.ohiolink.edu/etdc/view?acc_num=osu1543506274730883	Video Game Music; Video Game Sound; Video Game Soundscapes; Soundscapes; Ludomusicology; Disability Studies; Music and Disability; Impairment; Musicology; Video Games; Disability
Plank	Dana		From the Concert Hall to the Console: Three 8-Bit Translations of the Toccata and Fugue in D Minor	Bach 50/1; 32-62	2019	AP	https://www.jstor.org/stable/10.22513/bach.50.1.0032	Fugues; Video games; Baroque music; Music transcriptions; Horror fiction; Composers; Pipe organs; Musical pitch; Sound design; Music scores
Plank	Dana		Audio and the Experience of Gaming: A Cognitive-Emotional Approach to Video Game Sound	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 284-301	2021	AC		Legend of Zelda; Super Mario Bros.; Metroid; Mega Man; arousal; cognition; physiology; attention; stimulus; habituation
Plut	Cale	Philippe Pasquier	Generative music in video games: State of the art; challenges; and prospects	Entertainment Computing 33	2020	AP		adaptive; generative; AI; Spore; No Man's Sky; No One Lives Forever; middleware; FMOD; Wwise
Plut	Cale	Philippe Pasquier	Generative music in video games: State of the art; challenges; and prospects	Entertainment Computing 33	2020	AP	https://doi.org/10.1016/j.entcom.2019.100337	Ludology; generative music; algorithmic music
Polymeropoulou	Marilou		Chipmusic; Fakebit and the Discourse of Authenticity in the Chipscene	WiderScreen 1-2	2014	AP		authenticity; chipmusic; chipscene; ethnography; fakebit
Powell	Andrew S.		The Musical Butterfly Effect in Until Dawn	Journal of Sound and Music in Games 1/4; 22-44	2020	AP	https://doi.org/10.1525/jsmg.2020.1.4.22	interactive drama; Until Dawn; narrative potential; survival horror; death stinger
Pozderac-Chenevey	Sarah		A direct link to the past: nostalgia and semiotics in video game music	Divergence Press	2014	AP	http://divergencepress.net/2014/06/02/2016-11-3-a-direct-link-to-the-past-nostalgia-and-semiotics-in-video-game-music/	Nostalgia; Bastion; Fallout; Zelda; time; longing; popular music
Quiroz	Ignacio		La función metonímica de los sonidos en The Last Of Us: enfoque desde la teoría del conocimiento de Russell	Monograph presented for National University of Litoral - Argentina	2018	BM	https://www.academia.edu/37139745/La_funci%C3%B3n_meton%C3%ADmica_de_los_sonidos_en_The_Last_Of_Us_enfoque_desde_la_teor%C3%ADa_del_conocimiento_de_Russell	the last of us; russell; sound effects; metonymy
Rambarran	Shara		Virtual Music: Sound, Music, and Image in the Digital Era	New York; London: Bloomsbury	2021	BM		technology; virtuality
Rauscher	Andreas		Scoring Play - Soundtracks and Video Game Genres	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Reale	Steven		Chaos in the Cosmos: The Play of Contradictions in the Music of Katamari Damacy	ACT 2	2011	AP	http://www.act.uni-bayreuth.de/de/archiv/2011-02/04_Reale_Chaos_in_the_Cosmos/index.html	Katamari Damacy; music theory; music analysis; semiotics; kawaii; leitmotif;
Reale	Steven B.		Checkpoint!: The floodgates have opened. Report on the North American Conferences on Video Game Music	The Soundtrack 8/1-2	2015	AP
Reale	Steven		Barriers to Listening in World of Warcraft	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 197-215	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	postmodernism; works; textuality; agency; MMORPG; temporality; chronology; leveling; raid; dungeon; Blizzard
Reale	Steven		On the Roll of the Editor: A Response to Barnabas G. Smith	Journal of Sound and Music in Games 1/4; 83-85	2020	AP	https://doi.org/10.1525/jsmg.2020.1.4.83	RPG; role-playing game; genre; Heroes and Harmonies; William Gibbons; editing
Reale	Steven		Analytical Traditions and Game Music: Super Mario Galaxy as a Case Study	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 193-219	2021	AC		Nintendo; variation; thematic analysis; Heinrich Schenker; Schenkerian; reductive analysis; harmony; theory; tonality; ursatz; structure; neo-Riemannian; transformational theory
Rebillard	Fanny		La structure des bandes-son de jeux vidéo et leur rôle dans l'immersion du joueur: points communs et différences avec les bandes-son de films; l'exemple de "The Legend of Zelda : Ocarina of Time"	Université Paris IV Sorbonne	2013	DM (M)	http://www.sudoc.fr/171830253	The Legend of Zelda; history; leitmotive; cinema
Rebillard	Fanny		Les enjeux de l'archivage du son dans les jeux vidéo	Ecole Nationale Supérieure des Science de l'Information et des Bibliothèques	2018	DM (M)	http://www.sudoc.fr/233059687	interactivity; digital archives; records management; real-time; online communities
Redecker	Björn	Sonja Ganguin	Gamemusik und Geräusche – eine populäre Allianz für Game Audio Design der Zukunft	In Gabriele Hooffacker and Benjamin Bigl (Ed.): Science MashUp. Zukunft der Games. Wiesbaden: Springer Fachmedien Wiesbaden, p. 89–100	2020	AC		sound design; musique concrète; noise; Inside
Reid	George		Chiptune: The Ludomusical Shaping of Identity	The Computer Games Journal (Online First)	2018	AP	https://link.springer.com/article/10.1007/s40869-018-0070-y	chiptune; fandom; identity; play
Reiter	Ulrich		Perceived Quality in Game Audio	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 153-174	2011	AC		Quality of experience; cross-modal interaction; stimuli; plausibility; interactivity; attention; salience model; experimental; interaction; audio domain; task; empirical
Reyher	Adam		Idea Bank: Popular Culture and Video Games as Tools for Music Learning	Music Educators Journal; Vol.100(3); pp.16-17	2014	AP		lesson; school; teaching; theory; Rhythm Heaven Fever
Rietveld	Hillegonda	Marco Benoît Carbone	Hear the Music; Play the Game. Music and Game Design: Interplays and Perspectives.	G\|A\|M\|E n. 6/2017	2017	BC	https://www.gamejournal.it/game-n-62017/	composition; popular music; chip sound; verisimilitude; cross-fade; grime; Ness
Rietveld	Hillegonda	Marco Benoît Carbone	Introduction: Towards a Polyphonic Approach to Games and Music Studies	G\|A\|M\|E n. 6/2017	2017	AP	https://www.gamejournal.it/introduction-towards-a-polyphonic-approach-to-games-and-music-studies/	game music studies; popular music
Rietveld	Hillegonda	Marco Benoît Carbone	Introduction: Towards a Polyphonic Approach to Games and Music Studies	Game: The Italian Journal of Game Studies 6/1	2017	AP	https://www.gamejournal.it/wp-content/uploads/2019/08/GAME_06_HearTheMusic_Journal_Rietveld_Carbone.pdf	methdodology; musicology; game studies; ludomusicology
Rietveld	Hillegonda	Andy Lemon	The Street Fighter Lady: Invisibility and Gender in Game Composition	ToDiGRA Journal 5/1	2019	AP	http://todigra.org/index.php/todigra/article/view/112	gender; game music composition; Street Fighter; arcade game culture
Rietveld	Hillegonda C.	Andrew Lemon	Female Credit: Excavating Recognition for the Capcom Sound Team	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 376-388	2021	AC		Commando; Bionic Commando; Ghouls 'n Ghosts; Gender; History; historiography; Tamayo Kawamoto; Harumi Fujita; ports; remakes
Roberts	Rebecca		Fear of the Unknown: Music and Sound Design in Psychological Horror Games	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Silent Hill; horror games; Limbo; Dead Space; semiotics; identification
Robinson	Ciaran		Game Audio with FMOD and Unity	New York: Routledge	2019	BM		FMOD; adaptive; middleware; implementation
Roesner	David	Anna Paisley; Gianna Cassidy	Guitar Heroes in the Classroom: The Creative Potential of Music Games	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		music games; performance; creativity; interaction; music education; flow
Roesner	David		The Guitar Hero's Performance	Contemporary Theatre Review; 21/3; 276-285	2011	AP	https://doi.org/10.1080/10486801.2011.585646	Guitar Hero; virtuality; simluation; paratexts; reality; performativity; instruments; music games
Rogers	Kate		The Sounds of "Pac-Man Fever": Intersections of Video Game Culture and Popular Music in America	Case Western Reserve University	2019	DD	http://rave.ohiolink.edu/etdc/view?acc_num=case1559848783170242	video game music; video game sound; arcades; fandom; soundscapes; sound studies; ludomusicology; music and technology; film music; novelty songs; technomasculinity
Rone	Vincent		History and Reception in the Music of The Legend of Zelda Peritexts	Journal of Sound and Music in Games 1/2; 44-67	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/44/106833/History-and-Reception-in-the-Music-of-The-Legend	Zelda; music; peritexts; reception; mythology
Rossetti	Gregory James		Overworlds; Towns; and Battles: How Music Develops the Worlds of Role-playing Video Games	Rutgers The State University of New Jersey	2019	DD	https://search.proquest.com/docview/2425886003	Zelda; Dragon Quest; Dragon Warrior; Final Fantasy; RPG; JRPG; analysis
Roux-Girard	Guillaume		Plunged Alone into Darkness: Evolution and the Staging of Fear in the Alone in the Dark Series	In Bernard Perron (ed); Horror Video Games: Essays on the Fusion of Fear and Play (Jefferson; NC: McFarland & Co); 145-167.E156	2009	AC		perception; staging; alone in the dark; horror
Roux-Girard	Guillaume		Sound and the Videoludic Experience	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		sound; listening; experience; Uncharted 2: Honor Among Thieves; Civilization IV; interactivity
Roux-Girard	Guillaume		Listening to Fear: A Study of Sound in Horror Computer Games	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 192-212	2011	AC		Horror; emotion; fear; dread; meaning; sonic structure; gameplay; sound; reception
Roux-Girard	Guillaume		L’écoute de la peur: une étude du son dans les jeux vidéo d’horreur;	Université de Montréal	2009	DM (M)		fear; sound; horror games
Sadoff	Ronald H.		Scoring for Film and Video Games: Collaborative Practices and Digital Post-Production	In Carol Vernallis; Amy Herzog; John Richardson (ed.); The Oxford Handbook of Sound and Image in Digital Media (Oxford: Oxford University Press)	2013	AC		film scoring; adaptive music; digital post-production; MIDI mockup; audio director; The Departed; The Lord of the Rings;
Sanders	Timothy	Paul Cairns	Time perception; immersion and music in videogames	Conference paper BCS HCI 2010	2010	AS	https://www-users.cs.york.ac.uk/~pcairns/papers/Sanders_HCI2010.pdf	time perception; immersion; experience; game design; empirical; psychology; cognition;
Sanger	George		The Fat Man on Game Audio: Tasty Morsels of Sonic Goodness	Indianapolis: New Riders	2003	BM		written by composer; compositional philosophy; biography; technique; history; technological development
Saura-Ziegelmeyer	Arnaud		L’Antiquité et les jeux vidéo: représentations sonores	Antiquipop	2018	AP	https://books.openedition.org/momeditions/3359	antiquity; representation; exoticism; Orientalism; Age of Mythology; Ancient Wars: Sparta; Rome: Total War
Schartmann	Andrew		Maestro Mario: How Nintendo Transformed Video Game Music into an Art	New York: Thought Catalog	2013	BM		Nintendo; history; sound effects; arcade games; Super Mario Bros.; Metroid; The Legend of Zelda; chiptune
Schartmann	Andrew		Koji Kondo's Super Mario Bros. Soundtrack	New York; London: Bloomsbury	2015	BM		Super Mario Bros.; history; sound effects; conceptual metaphors; Nintendo Entertainment System; technology
Schartmann	Andrew		Music of the Nintendo Entertainment System: Technique; Form; and Style	Yale University	2018	DD		Nintendo Entertainment System; NES; Mega Man; modularity; loops
Schartmann	Andrew		Cultural Imperialism in Capcom’s Mega Man Series	Journal of Sound and Music in Games 2/1; 17-45	2021	AP	https://doi.org/10.1525/jsmg.2021.2.1.17	Nintendo Entertainment System; Keiji Inafune; Mega Man; imperialism; Japan
Schmidt	Brian L.		Designing sound tracks for coin-op games; or; Computer music for under $65.00	Proceedings: 1989 International Computer Music Conference. San Fransisco: Computer Music Association; 273-276.	1989	AS		arcade; composition; sound design; function; technology; sound chips;
Schütze	Stephan		The creation of an audio environment as part of a computer game world: the design for Jurassic Park - Operation Genesis on the XBOX" as a broad concept for surround installation creation	Organized Sound 8/2; 171-180	2008	AP		sound design; sound installation; space; soundscape; technology; surround sound;
Sextro	Justin		Press Start: Narrative Integration in 16-Bit Video Game Music	University of Missouri-Kansas City	2015	DM	https://mospace.umsystem.edu/xmlui/bitstream/handle/10355/46700/SextroPreStaNar.pdf?sequence=1	Chrono Trigger; Earthbound; Zelda; Narration; 16-bit
Shah	Hriday	Mugdha Oberoi	Effect of Video Game Music on Hand Dexterity Performance in Young Adults	International Journal of Current Research and Review 13/2; 39-42	2021	AP	http://dx.doi.org/10.31782/IJCRR.2021.13206	hand function; motor performance; rythmic auditory stimuli; bi-manual turning test
Shultz	Peter		Music theory in music games	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 177-188	2008	AC		music theory; Dance Dance Revolution; Guitar Hero; analysis; teaching; timing; music games; Schenker; learning; flow; challenge; space; reduction
Shultz	Peter		Rhythm Sense: Modality and Enactive Perception in Rhythm Heaven	In Michael Austin (ed.); Music Video Games: Performance; Politics; and Play (London: Boomsbury)	2016	AC		Rhythm Heaven; rhythm; meter; groove; music game
Sites	Joshua		It's no game: The effect of a generative music system on flow in video game players	MA Dissertation; Indiana University	2016	DM		Psychology; Flow; Generative music; Music listening; Video games
Sites	Joshua D.	Robert F. Potter	Everything Merges with the Game: A Generative Music System Embedded in a Videogame Increases Flow	Game Studies 18/2	2018	AP	http://gamestudies.org/1802/articles/sites_potter	flow; generative music; GameFlow; algorithmic music; game design; music
Sites	Joshua	Robert F. Potter	Everything Merges with the Game: A Generative Music System Embedded in a Videogame Increases Flow	Game Studies 18/2	2018	AP	http://gamestudies.org/1802/articles/sites_potter	flow; generative music; GameFlow; algorithmic music; game design
Sittler	Ryan		The effects of audio and gender within a 3D gaming environment on the achievement of different educational objectives	Doctoral Dissertation; Indiana University of Pennsylvania	2015	DD		Education; Audio; Educational games; Game design; Game development; Information processing; Music
Smith	Barnabas		Rip & Tear: Deconstructing the Technological and Musical Composition of Mick Gordon's Score for DOOM (2016)	Proceedings of the Australasian Computer Music Conference 2017	2017	AC	http://barnabassmithmusic.com/wp-content/uploads/2017/12/BSmith_ACMC2017DOOM.pdf	Video Game; Music; DOOM; Composition; Score; Technology; Distortion; Guitar; First-Person Shooter
Smith	Jacob		I Can See Tomorrow In Your Dance: A Study of Dance Dance Revolution and Music Video Games	Journal of Popular Music Studies; 16/1; 58-84	2004	AP		Dance Dance Revolution; fan culture; competitions; music games; party rap; PaRappa the Rapper; imitation games; rhythm games
Smith	Jennifer		Review of Popular Music in the Nostalgia Video Game: The Way It Never Sounded; by Andra Ivănescu	Journal of Sound and Music in Games 1/2; 84-87	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/84/106831/Popular-Music-in-the-Nostalgia-Video-Game-The-Way	Popular music; nostalgia; appropriation
Smith	Jennifer		Vocal disruptions in the aural game world: The female entertainer in The Witcher 3: Wild Hunt; Transistor and Divinity: Original Sin II	The Soundtrack 11/1-2; 75-97	2020	AP	https://www-ingentaconnect-com/content/intellect/ts/2020/00000011/f0020001	The Witcher; Transistor; Divinity: Original Sin; gender; identity; performance; storytelling; disruption; voice
Smith	Jeremy W.		“Wear People’s Faces”: Semiotic Awareness in Fan Adaptations of the Music from The Legend of Zelda: Majora’s Mask	Journal of Sound and Music in Games 1/4; 45-75	2020	AP	https://doi.org/10.1525/jsmg.2020.1.4.45	semiotics; hermeneutics; remixes; adaptations; Zelda; analysis
Smith	Barnabas G.		Review: Music in the Role-Playing Game: Heroes and Harmonies; edited by William Gibbons and Steven Reale	Journal of Sound and Music in Games 1/4; 76-82	2020	AP	https://doi.org/10.1525/jsmg.2020.1.4.76	William Gibbons; Steven Reale; RPG; role-playing game; ludomusicology; genre
Smith	Barnabas		Making the Virtual Actual: A research model to understand music of contemporary open-world video games	University of Adelaide	2019	DD	https://digital.library.adelaide.edu.au/dspace/bitstream/2440/122295/1/Smith2019_PhD.pdf	open-world; Diegesis; Grand Theft Auto; narrative; virtual ethnography
Smith	Jennifer		Worldbuilding Voices in the Soundscapes of Role Playing Video Games	University of Huddersfield	2020	DD	http://eprints.hud.ac.uk/id/eprint/35389/	soundscape; NieR; Transistor; Divinity; Final Fantasy; Witcher; agency; language
Smith	Jennifer		Voices; Combat; and Music: Identity; Cameraderie; and Relationships in Final Fantasy XV	Journal of Sound and Music in Games 2/2	2021	AP		voice; song; identity; combat; Final Fantasy; characteristics; characters
Smucker	Peter		Gaming Sober; Playing Drunk: Sound Effects of Alcohol in Video Games	The Computer Games Journal 7/4; 291-311	2018	AP	https://link.springer.com/article/10.1007%2Fs40869-018-0069-4	alcohol; sound studies; Chrono Trigger; censorship; drinking songs; Punch Out
Smucker	Peter		Review of Bits and Pieces: A History of Chiptunes by Kenneth B. McAlpine	Journal of Sound and Music in Games 1/1; 119-123	2020	AP		Chiptune; chipmusic; chips; history; Korg; Nintendo; Atari; Spectrum; Commodore; trackers; Game Boy; Gameboy; fakebit
Soulier	Adrien		Musique et jeux vidéo: de l'interactivité d'un média singulier	Ecole nationale supérieure Louis Lumière	2016	DM (M)	https://www.ens-louis-lumiere.fr/sites/default/files/2017-08/Soulier_Son_2016.pdf	narration; system; feedback; reward; interaction; fun
Sporka	Adam J.	Jan Valta	Design and implementation of a non-linear symphonic soundtrack of a video game	New Review of Hypermedia and Multimedia 4	2017	AP		dynamic music; asset management; music production; Kingdom Come: Deliverance
Stedman	Kyle		Remix Literacy and Fan Compositions	Computers and Composition 29/2 107-123	2012	AP	https://doi.org/10.1016/j.compcom.2012.02.002	Remix; popular culture; technological literacy; Fandom; pedagogy; digital rhetoric
Stevens	Richard	Dave Raybould	Designing a Game for Music: Integrated Design Approaches for Ludic Music and Interactivity	In Karen Collins; Bill Kapralos; Holly Tessler (eds.); The Oxford Handbook of Interactive Audio (Oxford: Oxford University Press)	2014	AC		adaptive; dynamic; ludic music; form
Stevens	Richard	Dave Raybould	The reality paradox: Authenticity; fidelity and the real in Battlefield 4	The Soundtrack 8/1-2	2015	AP		audio; realism; authenticity; immersion; mediation
Stevens	Joshua		Child of the Elder Blood: A Semiotics of Folklorism in the Soundtrack of The Witcher 3: Wild Hunt	Games and Culture (issue yet to be assigned)	2020	AP		Witcher III; exoticism; ethnomusicology; semiotics; folk music; traditional music; culture
Stevens	Richard		Scores for high scores : addressing ludonarrative dissonance in video game music through integrated design	Leeds Beckett University	2016	DD		game design; ludonarrative dissonance; adaptive music; dynamic music; synchornization
Stevens	Richard		The Inherent Conflicts of Musical Interactivity in Video Games	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 74-93	2021	AC		variables; synchronization; implementation; aesthetics; structure; transition; adaptive music; dynamic music; narration; interactivity
Stingel-Voigt	Yvonne		Functions and Meanings of Vocal Sound in Video Games	Journal of Sound and Music in Games 1/2; 25-43	2020	AP	https://online.ucpress.edu/jsmg/article/1/2/25/106828/Functions-and-Meanings-of-Vocal-Sound-in-Video	Video games; sound; voice; atmosphere; immersion; added value; flow; empathy
Stingel-Voigt	Yvonne		Soundtracks virtueller Welten. Musik in Videospielen	Glückstadt: Verlag Werner Hülsbusch (Dissertation Freie Universität Berlin, 2013)	2014	BM		immersion; dynamic music; narrativity; performativity; first-person shooter
Stockburger	Axel		The Game Environment from an Auditive Perspective.	In Level Up: Proceedings from DiGRA 2003.	2003	AS	http://www.stockburger.at/files/2010/04/gameinvironment_stockburger1.pdf	space; environment; perception; sound design; function; sound objects; acousmatic
Strank	Willem		The Legacy of iMuse: Interactive Video Game Music in the 1990s	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Stroetgen	Stefan		P(l)aying Music and Games	In Moormann; Peter (ed.); Music and Game: Perspectives on a Popular Alliance (Wiesbaden: Springer VS)	2013	AC
Stroud	Joe		The Importance of Music to Anders Behring Breivik	Journal of Terrorism Research; 4/1	2013	AP	https://jtr.st-andrews.ac.uk/articles/10.15664/jtr.620/	terrorism; background music; ambient music; ideology; music in everyday life; Age of Conan
Studley	Thomas	Richard Vella; Nathan Scott; Keith Nesbitt	A definition of creative-based music games	ACSW '18 Proceedings of the Australasian Computer Science Week Multiconference	2018	AS	https://dl.acm.org/citation.cfm?id=3167921	music games; creativity; EvoMusic; Soundrop
Studley	Thomas	Jon Drummond; Nathan Scott; Keith Nesbitt	Evaluating Digital Games for Competitive Music Composition	Computation in the Sonic Arts 25/1; 75-88	2020	AP	https://doi.org/10.1017/S1355771819000487	composition; music games; rhythm games; EvoMusic; System Usability Survey; interfaces; creativity
Summerly	Rory K.		Approaches to Game Fiction Derived from Musicals and Pornography	Arts 7/3	2018	AP	https://www.mdpi.com/2076-0752/7/3/44	fiction; narrative; storytelling; musicals; ludonarrative dissonance
Summers	Tim		Playing the Tune: Video Game Music; Gamers; and Genre	ACT 2	2011	AP	http://www.act.uni-bayreuth.de/de/archiv/2011-02/02_Summers_Playing_the_Tune/index.html	genre; interaction; musical traditions; alone in the dark; fighting games; strategy games; musical analysis
Summers	Tim		Understanding Video Game Music	Cambridge: Cambridge University Press	2016	BM		analysis; methodology; film music; aesthetics; immersion; dynamic music
Summers	Tim		From Parsifal to the PlayStation: Wagner and Video Game Music	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Wagner; The Dig; Loom; Halo; Final Fantasy VI; leitmotif; Monkey Island 2; iMUSE; metaphysics
Summers	Tim		Analysing Video Game Music: Sources; Methods and a Case Study	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		analysis; Halo: Combat Evolved; methods
Summers	Tim		Video Game Music: History; Form and Genre	University of Bristol	2012	DD		genre; history; aesthetics; culture; semiotics; speech-act theory; adaptive music
Summers	Tim		Dimensions of Game Music History	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 139-152	2017	AC		genre; generations; audience; concerts; reception; technologies
Summers	Tim		Music across the Transmedial Frontier: Star Trek Video Games	In Michael Fuchs; Jeff Thoss (eds.) Intermedia Games—Games Inter Media: Video Games and Intermediality; 207-231	2019	AC		Star Trek; transmediality; history; film music; television music; adaptation; science fiction
Summers	Tim		Mother/EarthBound Zero and the Power of the Naïve Aesthetic: No Crying Until the Ending	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 35-53	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	JRPG; Michael Nyman; Shigesato Itoi; Hirokazu Tanaka; Keiichi Suzuki; genre; school; education; realism; emotion; nostalgia
Summers	Tim		Music and the Video Game as Ritual Encounter	Naxos Musicology Online	2020	AP	https://www.naxosmusicology.com/opinion/ritual-spaces-music-and-the-video-game-as-ritual-encounter	Ritual; space; theatre; museum; exhibition; Kentucky Route Zero; religion
Summers	Tim		Opera Scenes in Video Games: Hitmen; Divas and Wagner's Werewolves	Cambridge Opera Journal 29/3; 253-286	2018	AP	https://doi.org/10.1017/S0954586718000046	Hitman; Assassin's Creed; classical music; Final Fantasy; Gabriel Knight; The Beast Within; Parasite Eve; phantasmagoria; performance; diegetic music; Beggar's Opera; Tosca
Summers	Tim		The Legend of Zelda: Ocarina of Time - A Game Score Companion	Bristol and Chicago: Intellect	2021	BM		performance; interactivity; fandom; adaptation; implementation; earcon; auditory icon; interface; boss; ludic music; battle music; dungeon
Summers	Tim		Fantasias on a Theme by Walt Disney: Playful Listening and Video Games	In Carlo Cenciarelli (ed.); The Oxford Handbook of Cinematic Listening (New York: Oxford University Press); 690-711	2021	AC		listening; kinect; hearing; interactivity; playfulness; Disney
Summers	Tim		Video Games as Spaces for Musical Dialogic Education : 'Why are games good at teaching music; and what can we learn from them?'	In Thomas Busch Peter Moormann and Wolfgang Zielinski (eds); Musikalische Praxen und virtuelle Räume (Muenchen: Kopaed); 53-64.	2020	AC		education; school; lessons; Robin Alexander; dialogue; interactivity
Summers	Tim	James Cook; Will Famer; Elisa Raffaella Ferrè; Lucy Harrison; Rich Hemming; Andra Ivănescu; Luke Reed; Flossie Roberts; Richard Stevens; Stephen Tatlow; Laryssa Whittaker	Music and Sound in Virtual/Augmented Realities – Questions; Challenges and Approaches: A Multidisciplinary Roundtable	Journal of Sound and Music in Games 2/2	2021	AP		VR; AR; virtuality; spatiality; diegesis; perception; proprioception; cybersickness
Svec	Henry		Becoming Machinic Virtuosos: Guitar Hero; Rez; and Multitudinous Aesthetics	Loading 2/2	2008	AP		postmodern economics; performance; capitalism; Guitar Hero; Rez; empire
Sweeney	Mark		Isaac's Silence: Purposive Aesthetics in Dead Space	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		aesthetics; Dead Space; avant-garde; Krzysztof Penderecki; Alien; The Shining
Sweeney	Mark		Aesthetics and social interactions in MMOs: The gamification of music in Lord of the Rings Online and Star Wars: Galaxies	The Soundtrack 8/1-2	2015	AP		aesthetics; aesthetic experience; gamification; social interaction; Lord of the Rings Online; Star Wars Galaxies
Sweeney	Mark		Analysing Crysis	University of Oxford	2011	DM (M)		dynamic music; mobile form; Crysis; analysis; topic theory; aesthetics; aleatoric composition;
Sweeney	Mark		The Aesthetics of Videogame Music	University of Oxford	2014	DD	https://ora.ox.ac.uk/objects/uuid:70a29850-0c0d-4abd-a501-e75224fa856a	Ludomusicology; Aesthetics; culture industry; Kirkpatrick; play; aleatory; aleatoric;
Sweet	Michael		Writing Interactive Music for Video Games: A Composer's Guide	Boston; MA: Addison-Wesley	2014	BM		composition; interactive music; middleware; industry
Tafalla	Richard J.		Gender Differences in Cardiovascular Reactivity and Game Performance Related to Sensory Modality in Violent Video Game Play	Journal of Applied Social Psychology 37/9; pp. 2008-23	2007	AP		psychology; DOOM; gender; violence; soundtrack; heart rate; blood pressure; stress
Tan	Siu-Lan	John Baxa and Matthew P. Spackman	Effects of built-in audio versus unrelated background music on performance in an adventure role-playing game	International Journal of Gaming and Computer-Mediated Simulations; 2/3	2010	AP		Audiovisual; Auditory; Cognitive Load; Interactive; Multimedia; psychology; controller; sources of sound
Tan	Marcus Cheng Chye		Disruptive VocalitiesAuditory Immersion in Punchdrunk’s The Drowned Man: A Hollywood Fable and First-Person Digital Games	Journal of Sound; Silence; Image and Technology (JoSSIT) 3; 94-110	2020	AP	http://jossit.tecnocampus.cat/index.php/jossit/article/view/26/70	The Drowned Man: A Hollywood Fable; acoustic ecology; immersion; performance; soundscape
Tate	James L.		A Link Between Worlds: The Construction of Nostalgia in Game Music and Final Fantasy IX	University of Surrey	2017	DM (U)		Final Fantasy IX; nostalgia; self-quotation; Nobuo Uematsu
Tatlow	Stephen		Everyone in SpaceWants to Hear You Scream: Toward a Framework for Understanding Player Voice in Virtual Worlds	Journal of Sound and Music in Games 1/3; 15-34	2020	AP		Player voice; game sound; immersion; virtuality; EVE Online
Teetsel	Sarah		Musical memory of the player; characters; and world of "The Legend of Zelda" video game series	Masters Dissertation; Bowling Green State University	2015	DM		Legend of Zelda; Memory; Bob Snyder
Tekrø	Even Ågrimsønn Næss		Playing the Sound of Silence: Immersion, Loneliness, and Analysis of Multimodal Intertextuality in 21st Century Video Game Music	University of Oslo	2018	DM (M)		immersion; loneliness; The Legend of Zelda: Breath of the Wild; No Man's Sky; Bloodborne
Tessler	Holly		The new MTV? Electronic Arts and 'playing' music	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 13-26	2008	AC		MTV; Grand Theft Auto; licensed music; popular music; promotion; Steve Schnur; industry; marketing; copyright
Thomas	Chance		Composing Music for Games: The Art; Technology and Business of Video Game Scoring	Boca Raton; FL: CRC Press	2016	BM		composition; interactive music; games industry; textbook
Thomas	M.		Music in Video Games	The International Journal of Urban Labour and Leisure 6/1	2004	AP		overview; industry; promotion; marketing
Thompson	Ryan		Operatic Conventions and Expectations in Final Fantasy VI	In William Gibbons and Steven Reale (eds); Music in the Role-Playing Game (New York: Routledge); 117-128	2019	AC	https://www.routledge.com/Music-in-the-Role-Playing-Game-Heroes--Harmonies/Gibbons-Reale/p/book/9780815369042	16-bit; JRPG; opera; classical music; Nobuo Uematsu; theatre; Handel; leitmotif; structure; theatricality; stage
Thompson	Ryan		Interactivity in Game Audio: Instances in Which Listening Improves a Player's Gameplay	University of Minnesota	2017	DD	https://conservancy.umn.edu/bitstream/handle/11299/194540/Thompson_umn_0130E_18922.pdf?sequence=1&isAllowed=y	Audiosurf; Final Fantasy; Left 4 Dead; communication; information; earcon; audio icon
Thompson	Ryan		NACVGM 2020 Retrospective: Thoughts on Organizing a Digital Conference	Journal of Sound and Music in Games 2/1; 70-76	2021	AP	https://doi.org/10.1525/jsmg.2021.2.1.70	Digital scholarship; communication; online presentation; conference organization
Thompson	Ryan		Game Music Beyond the Games	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 409-423	2021	AC		OverClocked ReMix; OCRemix; David Lloyd; fandom; fan culture; adaptation; remixing; albums; copyright; participatory culture
Tiger	Guillaume		Synthèse sonore d'ambiances urbaines pour applications vidéoludiques	Conservatoire National des Arts et Métier	2014	DD	http://www.theses.fr/2014CNAM0968	granular synthesis; procedural sound; pure data; sound scape; sound design; field recording; virtual cities; sound effects
Tinwell	Angela	Mark Grimshaw; Andrew Williams	Uncanny Speech	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 213-234	2011	AC		human; characters; speech; virtual characters; uncanny valley; sound; lip-synch; human-likeness; facial expression; cross-modal; fidelity; uncanniness
Tobias	Evan S.		Let's Play! Learning Music through Video Games and Virtual Worlds	In Gary E. McPherson; Graham F. Welch (eds.); The Oxford Handbook of Music Education (Oxford: Oxford University Press)	2012	AC		music learning; music engagement; music education
Tonelli	Chris		The Temporary Avatar Zone: Pico-Pico Parties in Tokyo	In K. J. Donnelly; William Gibbons; Neil Lerner (eds.); Music in Video Games: Studying Play (New York; London: Routledge)	2014	AC		Pico-Pico; YMCK; Japan; popular music; performance
Tonelli	Chris		The Chiptuning of the World: Game Boys; Imagined Travel; and Musical Meaning	In Sumanth Gopinath; Jason Stanyek (eds.) The Oxford Handbook of Mobile Music Studies; Vol. 2 (Oxford Oxford University Press)	2014	AC		mobility; musical meaning; music scenes; Nintendo Game Boy; Gaston Bachelard; popular music; chip music; chiptune; Little Sound DJ
Tonelli	Chris		Game Music and Identity	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 327-342	2021	AC		The Last of Us; masculinity; Civilization IV; identification; disidentification; alterity; othering; class; affordance; diversity; subjectivity
Toprac	Paul	Ahmed Abdel-Meguid	Causing Fear; Suspense; and Anxiety Using Sound Design in Computer Games	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 176-191	2011	AC		emotions; experimental; empirical; fear; suspense; anxiety; Darwinian; James-Lange; cognition; social constructivist; diegetic sound effects; volume; timing; source; synchronization; acoustmatic; untimed
Tremouiller	Michel		La musique des jeux vidéo	Université de Bourgogne (Dijon)	2004	DM (M)	http://www.sudoc.fr/158276388	videogame music
Troise	Blake		The 1-Bit Instrument: The Fundamentals of 1-Bit Synthesis; Their Implementational Implications; and Instrumental Possibilities	Journal of Sound and Music in Games 1/1; 44-74	2020	AP		chiptune; 1-bit; one-bit; ZX Spectrum; pulse pin method; pulse interleaving; timbre; polyphony; history
Tsingos	Nicolas	Isabelle Viaud-Delmon; David Alloza	Réalité virtuelle : Simulation sonore en trois dimensions par Nicolas Tsingos. Phobies à l'épreuve du virtuel; entretien avec Isabelle Viaud-Delmon; propos recueillis par Dominique Chouchan. Le jeu vidéo est un produit de très haute technologie par David Alloza	Les Cahiers de l’INRIA - La Recherche; INRIA; 2009; La guerre des trous noirs	2009	AP	https://hal.inria.fr/inria-00527609/document
Tsukamoto	Masanari	Masashi Yamada; Ryo Yoneda	A Dimensional Study on the Emotion of Musical Pieces Composed for Video Games	Proceedings of 20th International Congress on Acoustics; ICA 2010; 23-27 August 2010; Sydney; Australia	2010	AS	https://www.acoustics.asn.au/conference_proceedings/ICA2010/cdrom-ICA2010/papers/p918.pdf	psychology; congruency; experiment; pleasantness; excitation; semantic differential scales
Vaculíková	Jana		Rocksmith 2014 Edition – Remastered: A Comprehensive Musical Game and Teaching Tool	College Music Symposium ; Vol. 58; No. 2 (Fall; 2018); pp. 1-2	2018	AP	https://doi.org/10.18177/sym.2018.58.sr.11404	education; performance; tutor; guitar
Valente	Andrea		Can Man with a Movie Camera Shoot Enemy Zero? Convergence and Transcoding in Michael Nyman’s Musical Scores	In Claudia Georgi and Brigitte Johanna Glaser (eds); Convergence Culture Reconsidered. Media – Participation – Environments (Göttingen: Universitätsverlag Göttingen) 195–207	2015	AC	https://mediarep.org/bitstream/handle/doc/12929/Convergence_Culture_Reconsidered_195-207_Valente_Convergence_Transcoding_Michael_Nyman_.pdf?sequence=3	transmediality; film; movies; borrowing; intermedia
van Elferen	Isabella		Gothic Game Music: Hyperreality Haunted	In Gothic Music: The Sounds of the Uncanny	2012	AC		horror; gothic; Resident Evil; Silent Hill: Shattered Memories; Call of Cthulhu; uncanny; hyperreal; magic circle; Myst; Lost
van Elferen	Isabella		Sonic Descents: Musical Dark Play in Survival and Psychological Horror	In Jonas Linderoth (ed.); The Dark Side of Game Play: Controversial Issues in Playful Environments.	2015	AC		horror; dark play; Amnesia: The Dark Descent
van Elferen	Isabella		Analysing Game Musical Immersion: The ALI Model	In Michiel Kamp; Tim Summers; Mark Sweeney (eds.); Ludomusicology: Approaches to Video Game Music (Sheffield; Bristol; CT: Equinox)	2016	AC		analysis; affect; literacy; interaction; immersion; Dead Space 2; Amnesia: The Dark Descent; Remembering
van Elferen	Isabella		Perpetuum Mobile: Musical Virtual Worlds from Sound Recording to Videogames	In Nicholas Cook; Monique Ingalls; David Trippett; and Peter Webb (eds.); The Cambridge Companion to Music and Digital Culture	2017	AC		virtual reality; musical immersion; mobile music; affect; embodiment; drastic
van Elferen	Isabella		Un Forastero! Issues of Virtuality and Diegesis in Videogame Music	Music and the Moving Image 4/2	2011	AP		virtuality; magic circle; flow; hyperreal; ludic; narrative; Guitar Hero; Resident Evil; intermediality; GPS; dynamic music; uncanny; diegesis
van Elferen	Isabella		Ludomusicology and the New Drastic	Journal of Sound and Music in Games 1/1; 103-112	2020	AP		drastic; gnostic; Carolyn Abbate; ludomusicology; musicology; critical theory; interactivity; play; phenomenology; liveness
van Elferen	Isabella		Virtual Worlds from Recording to Video Games	In Nicholas Cook; Monique M. Ingalls and David Trippett (eds) The Cambridge Companion to Music in Digital Culture	2019	AC		immersion; virtual world; reality; phenomenology; listening; drastic
van Geelen	Tim		Realizing groundbreaking adaptive music	In Karen Collins (ed.) From Pac-Man to Pop Music: Interactive Audio in Games and New Media (Farnham: Ashgate); 93-102	2008	AC		future; adaptive composition;
van Nispen tot Pannerden	Than	Sander Huiberts; Sebastiaan Donders; Stan Koch	The NLN-Player: A System for Nonlinear music in Games	Proceedings of the ICMC 2011; 31 July - 5 August 2011;	2011	AS		horizontal resequencing; dynamic music; adaptive music
van Tol	Richard	Sander Huiberts	The Game Pulse - Timing Game Events and Music Events	KES Transactions on Innovation in Music 1/1; 170-185	2013	AP	http://nimbusvault.net/publications/koala/inmusic/358.html	timing; nonlinearity; linearity; synchronization; dynamic music; adaptive music
Velleman	Eric	Richard van Tol; Sander Huiberts; Hugo Verwey	3D Shooting Games; Multimodal Games; Sound Games and More Working Examples of the Future of Games for the Blind	International Conference on Computers for Handicapped Persons (Berlin: Springer); 257-263	2004	AS		Global Position System; GPS; blind; impairment; FPS; first-person shooter
Veneri	Olivier		Architecture d'un intergiciel pour la création sonore dans les jeux vidéo	Conservatoire National des Arts et Métier	2009	DD	http://www.sudoc.fr/140626158	Cue processing; sound designer; real-time music; sound design tool
Villarreal III	Armando		The Effects of Music on Gameplay and Immersion	MIT	2009	DM (M)		experience; immersion; Gears of War; questionnaire; empirical; game design
Villepreux	Tommaso		La musique dans le jeu vidéo: fonction et interaction	Université Paris 8 Saint-Denis	2014	DM (M)		role of music; interaction
Villepreux	Tommaso		Les stéréotypes genrés de la musique de jeux vidéo	Université Paris 8 Saint-Denis	2016	DM (M)		gendered stereotypes
Visi	Federico	Frithjof Faasch	Motion Controllers; Sound; and Music in Video Games: State of the Art and Research Perspectives	In Duncan Williams and Newton Lee (ed.); Emotion in Video Game Soundtracking (Cham: Springer); 85-103	2018	AC		instruments; corporeality; motion; engagement; emotion; body; corporeality
Wang	Ge		The World Is Your Stage: Making Music on the iPhone	In Sumanth Gopinath; Jason Stanyek (eds.) The Oxford Handbook of Mobile Music Studies; Vol. 2 (Oxford Oxford University Press)	2014	AC		iPhone; app; mobile phone; mobile music; social music; physical interaction design; Smule; Ocarina; Sonic Lighter;Leaf Trombone: World Stage; Stanford University; CCRMA.
Washburn	Megan	Foaad Khosmood	Dynamic Procedural Music Generation from NPC Attributes	FDG '20: International Conference on the Foundations of Digital Games; September 2020 Article No.: 15 Pages 1–4	2020	AS	https://doi.org/10.1145/3402942.3409785	non-player characters; non-playable character; NPCs; boss; generative music; dynamic music; adaptive music
Weiser	Matthieu		L’Ambiance narrative musicale de Final Fantasy VII	Université de Poitiers	2010	DM (M)		narration; Final Fantasy VII; Nobuo Uematsu
Werle	Xavier		The Music of World of Warcraft Lore of Epic Music	Doctoral Dissertation University of California; Los Angeles	2014	DD		analysis; epic music; Warcraft; Hans Zimmer; trailer; theory; blizzard; RPG
Weske	Jörg		Digital Sound and Music in Video Games	Online Research Website	2002	ER	http://3daudio.info/gamesound/	history; technology; genre; dynamic music; interview
Western	Gary		Top Score: The Evolution and Significance of Video Game Music	CSU Monterey Bay	2011	AS	https://garywestern.files.wordpress.com/2011/04/garywestern_topscore.pdf	music games; history; function; technology; MIDI; culture; chip music
Whalen	Zach		Play Along - An Approach to Videogame Music	Game Studies 4/1	2004	AP		immersion; function; cartoon music; mickey mousing; narrative; Super Mario Bros.; Legend of Zelda; Silent Hill;
Whalen	Zach		Case Study: Film Music vs. Video-Game Music: The Case of Silent Hill	In Jamie Sexton (ed.); Music; Sound and Multimedia: From the Live to the Virtual (Edinburgh: Edinburgh University Press); 68-81.	2007	AC		film music; musical function; silence; Silent Hill; horror; radio; static; adaptive music
Wharton	Alexander	Karen Collins	Subjective Measures of the Influence of Music Customization on the Video Game Play Experience: A Pilot Study	Game Studies 11/2	2011	AP	http://www.gamestudies.org/1102/articles/wharton_collins	customization; customisation; experience; choice; psychology; Fallout; immersion; emotion; tactics; performance; playlist; personalisation; multiplayer; empirical; social
Whitmore	Guy		A DirectMusic Case Study for Russian Squares for Windows XP Plus Pack	In Todd M. Fay with Scott Selfon and Todor J. Fay (eds); DirectX 9 Audio Exposed: Interactive Audio Development (Plano; Texas: Wordware Publishing); 369-386	2004	AC		adaptive music; puzzle games; compositional challenges; sound examples; audio design; case-study; written by composer
Whitmore	Guy		A DirectMusic Case Study for No One Lives Forever	In Todd M. Fay with Scott Selfon and Todor J. Fay (eds); DirectX 9 Audio Exposed: Interactive Audio Development (Plano; Texas: Wordware Publishing); 387-415	2004	AC		interactivity; adaptive music; dynamic music; transition; FPS; first-person shooter; horizontal resequencing; The Operative
Wilde	Martin D.		Audio Programming for Interactive Games	Oxford and Burlington; MA: Focal Press	2004	BM		how-to; music programming
Wilhelmsson	Ulf	Jacob Wallén	A Combined Model for the Structuring of Computer Game Audio	In Mark Grimshaw (ed.); Game Sound Technology and Player Interaction: Concepts and Developments (Hershey; PA); 98-130	2011	AC		IEZA-framework; audio building; film sound; affordance; Murch; Gibson; Huiberts; van Tol; layering; encoded; embodied' cognition' functionality; loudness; frequency range; F.E.A.R.; Warcraft III; Legend of Zelda; tollset; production; structure; game design document
Williams	Duncan	Newton Lee	Emotion in Video Game Soundtracking	Cham: Springer	2018	BC		emotion; algorithmic composition; BCMI; cutscenes
Williams	Duncan	Jamie Mears; Alexis Kirke; Eduardo Miranda; Ian Daly; Asad Malik; James Weaver; Faustina Hwang; Slawomir Nasuto	A Perceptual and Affective Evaluation of an Affectively Driven Engine for Video Game Soundtracking	Computers in Entertainment 14/3	2016	AP	https://cie.acm.org/articles/perceptual-and-affective-evaluation-affectively-driven-engine-video-game-soundtracking/	dynamic music; algorithmic composition; procedural music; emotional congruence; immersion; World of Warcraft
Williams	Duncan		Affectively-Driven Algorithmic Composition (AAC)	In Duncan Williams and Newton Lee (ed.); Emotion in Video Game Soundtracking (Cham: Springer); 27-38	2018	AC		Warcraft; algorithmic music; generative music; arousal
Williams	Duncan		Physiological Responses and Game Music	In Melanie Fritsch and Tim Summers (eds) The Cambridge Companion to Video Game Music (Cambridge: Cambridge University Press); 302-318	2021	AC		physiology; biophysiological metering; biofeedback; emotion; affect; mood; MRI; fMRI; galvanic skin response (GSR); Electroencephalogram (EEG); biosensors; brain activity
Winters	Ben		Idolizing the Synchronized Score: Studying Indiana Jones Hypertexts	In Miguel Mera; Ronald Sadoff; and Ben Winters (eds); The Routledge Companion to Screen Music and Sound (New York: Routledge); 513-542	2017	AC		Lego Indiana Jones; film music; transmediality; John Williams
Wood	Simon		Video Game Music - High Scores: Making Sense of Music and Video Games	In Graeme Harper; Ruth Doughty and Jochen Eisentraut (eds); Sound and Music in Film and Visual Media: An Overview (New York and London: Continuum; 129-148	2009	AC		Tom Clancy's Splinter Cell; adaptive music; narrative; states; film music
Wooller	Rene	Andrew R. Brown; Eduardo Miranda; Rodney Berry; Joachim Diederich	A framework for comparison of processes in algorithmic music systems	Generative Arts Practice (Sydney: Creativity and Cognition Studios Press); 109-124	2005	AP		generative music; dynamic music; algorithmic music; composition; middleware; software design
Yamada	Masashi	Nozomu Fujisawa; Shigenobu Komori	The Effect of Music on the Performance and Impression in a Video Racing Game	Journal of Music Perception and Cognition 7; 65-76 (Japanese)	2001	AP		psychology; experiment; racing game
Yee	Thomas B.		Battle Hymn of the God-Slayers: Troping Rock and Sacred Music Topics in Xenoblade Chronicles	Journal of Sound and Music in Games 1/1; 2-19	2020	AP		semiotics; musical topics; topical troping; post-war Japanese history; religion in video games
Youngdahl	Erik		Play Us a Song: The Structure and Aesthetics of Music in Video Games	Wesleyan University	2010	DM (U)	http://wesscholar.wesleyan.edu/cgi/viewcontent.cgi?article=1500&context=etd_hon_theses	aesthetics; experience; immersion; dynamic music; atmosphere; Legend of Zelda; PaRappa the Rapper; Rock Band
Zdanowicz	Gina	Spencer Bambrick	The Game Audio Strategy Guide: A Practical Course	New York: Routledge	2020	BM		implementation; dynamic music; education; adaptive music; composing
Zehnder	Sean M.	Scott D. Lipscomb	The Role of Music in Video Games	In Peter Vorderer and Jennings Bryant (eds.); Playing Video Games: Motives; Responses and Consequences (Mahwah; New Jersey and London: Lawrence Erlbaum Associates; Publishers); 241-258.	2006	AC		psychology; genre; empirical surveys; communication; perception; musical options; applied aesthetics
Zénouda	Hervé		Nouvelles organologies du sonore: les audio-games: La question des interfaces a-musicologiques	Interfaces numériques 1/3; 521-545	2012	AP	https://hal.archives-ouvertes.fr/sic_01759548	audio games; interfaces; playability; synaesthesia; audiovisual
Zhang	Jiulin	Xiaoqing Fu	The Influence of Background Music of Video Games on Immersion	Psychology & Psychotherapy 5/4	2015	AP		immersion; background music; questionnaire; King of Fighters

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