
Our website is currently under construction...
We expect full functionality to return soon, but in the meantime, please find information about the SSSMG, our bibliography, and the Journal for the Study of Sound and Music in Games below.
This is the website of the Society for the Study of Sound and Music in Games. SSSMG aims to act as a central hub for the emerging academic, and professional, communities of people working with video game audio.
•Become part of dynamic growing community
•Network with like-minded researchers and practitioners
•Find and contact individuals with particular research interests or relevant skills
•Share, tag and comment on files (such as conference slides and green OA papers)
•Contribute to community keyworded bibliography
•Keep up-to-date on the latest events, conferences, calls for papers etc.
Please encourage your friends and colleagues to register and participate!
The Society for the Study of Sound and Music in Games (SSSMG) is an international organization dedicated to the development of sophisticated understandings of sound and music in video games from any and all perspectives.
The SSSMG actively seeks to include both practitioners (such as composers and sound designers) and researchers. Designed to be a resource for diverse groups of scholars and practitioners, the society will maintain an actively updated bibliography on its website, award an annual prize for academic articles in the field, and provide communication between scholarly and professional organizations.
To build a large and diverse body of knowledge, membership in the SSSMG is inter-professional and interdisciplinary, open to anyone involved with sound and music in video games. We welcome many approaches to the study of game audio, including (but not limited to) historical research, musical analysis, ethnographies, psychological studies of perception, cultural studies, media studies, reception, and practice-based inquiry.
The Society is a registered charity in the UK with charity number 180483.
The Society for the Study of Sound and Music in Games acts as a central hub for the emerging academic, and professional, communities of people working with video game audio. Currently, SSSMG comprises two core groups:
The Ludomusicology Research Group was founded by Michiel Kamp, Tim Summers and Mark Sweeney in August 2011 as an inter-university research initiative dedicated to the study of game music. Based in the UK, our aim is to promote inter-university academic collaboration, act as a hub or point-of-contact to advertise the research of the group members (and of other academics working in the field) and serve as a general attempt to create a coherent direction and body of knowledge for this sub-discipline.
To achieve these aims, we organize an annual international conference on videogame music, provided the first widely accessible keyworded bibliography resource on our website, and host regular blog articles by guest contributors about videogame music and sound. We have also acted as a central hub in bringing together a number of publications including a double special issue of The Soundtrack and an edited volume of essays: Ludomusicology: Approaches to Video Game Music.
North American Conference on Video Game Music
The North American Conference on Video Game Music draws together scholars in the fields of musicology, music theory, ethnomusicology, media studies, sound studies, composition, and more to discuss all aspects of music in video games. Topics at past conferences have included case studies of influential games and composers, technology and its impact on game music, teaching game music, analyzing game music, and music’s relationship to game narratives.
The conference is spearheaded by Neil Lerner, Steven Reale, Elizabeth Medina-Gray and Karen Cook.
We are delighted to be associated with numerous organisations working in the same space as us, including:
The Ludomusicology Society of Australia
Ludum: Ludomusicology Research Group of Chile
We aim to keep an up-to-date selective bibliography, with links to online resources and in the SSSMG Repository.
Click here to access the bibliography.
JSMG is accepting submissions. See below for full instructions.
Read the latest issues here!
The Journal of Sound and Music in Games (JSMG) is a peer-reviewed journal that presents high-quality research concerning all areas of music and/or sound in games. It serves a diverse community of readers and authors, encompassing industry practitioners alongside scholars from disciplinary perspectives including anthropology, computer science, media/game studies, philosophy, psychology and sociology, as well as musicology. JSMG is the only journal exclusively dedicated to this subject and provides a meeting point for professionals and academics from any tradition to advance knowledge of music and sound in this important medium.
Though JSMG primarily focuses on video games, the journal welcomes studies of music and/or sound in any form of game (for example, sports, historical games predating video games, and so on). JSMG publishes original research articles, supplemented by a range of other content including review articles surveying important subjects, reviews of pertinent books and games, communications with responses, and interviews. The journal will also occasionally present topically themed special issues and conference proceedings.
As the journal of the Society for the Study of Sound and Music in Games, JSMG acts as a lively forum for the presentation and dissemination of knowledge, uniting theory and practice in this domain of musical-sonic activity.
Submissions
To submit to JSMG, please refer to the instructions for contributors (below) in preparing your manuscript first. All submissions must then be processed by the editorial office (see instructions here): https://online.ucpress.edu/jsmg/pages/submit. If you have any questions you can contact the editorial office at jsmg@sssmg.org.
Instructions for Contributors
Please review our submission guidelines here.
Reviewer Guidelines
For transparency, the template our reviewers are asked to complete is available here.
Statement on Publishing Ethics
As journal editors in music studies, we seek to foster constructive and civil dialogue that advances our field and that is beneficial for authors, reviewers, and readers. While scholars will invariably have intellectual disagreements, we believe that journals must hold a high standard for productive, respectful exchange. We will strive to ensure that reviewers for our journals:
Acceptance of any review, from anonymous peer reviews to published reviews of books and other work, is contingent on approval by the editor(s) of our journals. The editorial team reserves the right to return reviews that do not follow these guidelines to the reviewer for revision or to reject the review outright.
Subscriptions
Institutional and individual subscriptions are available from the University of California Press.
SSSMG Members are entitled to a significant discount for annual individual subscriptions. Please log in and follow the details here.
| First Name | Surname | Role | SSSMG Profile | |
|---|---|---|---|---|
| Michael | Austin | Executive Director | michael-austin@sssmg.org | michaelaustin |
| Stephen | Baysted | Member-at-large & Trustee | stephenbaysted@sssmg.org | stephenbaysted |
| Karen | Cook | Member-at-large | karencook@sssmg.org | karencook |
| Melanie | Fritsch | Press Officer | melanie-fritsch@sssmg.org | melaniefritsch |
| Lidia | López Gómez | Communications Officer | lidia-lopez@sssmg.org | lidia-lopezuab-cat |
| Elizabeth | Medina-Gray | Member-at-large & Trustee | emedinagray@sssmg.org | emedinagray |
| Dana | Plank | JSMG Editor-in-Chief | ||
| Aaron | Price | Executive Officer | aaron-price@sssmg.org | anp08001 |
| Timothy | Summers | Member-at-large & Trustee | tim-summers@sssmg.org | tim-summers |
| Mark | Sweeney | Member-at-large & Trustee | mark-sweeney@sssmg.org | mark-sweeney |
| Ryan | Thompson | IT Officer | ryan-thompson@sssmg.org | bardicknowledge |
| Weida | Wang | Development Editor | weida-wang@sssmg.org |
Last updated: 12 June 2026